Enough Said (2013)

Imagine if Enough Said featured the characters of Elaine Benes and Tony Soprano.  With their tempers this could have been the most violent romantic comedy ever made.  There would be a lot of bodies in their wake.

Eva (Julia Louis-Dreyfus) is a divorcee and mother working as a masseuse.  She seems to be content with not dating, but her daughter, Ellen (Tracey Fairaway), is leaving for college soon.  Perhaps not wanting to face the reality of having an empty nest, she begins to date Albert (James Gandolfini), a regular guy she met at a party.  Albert is also a single parent with a daughter preparing to leave home.  The two hit it off and things seem to be going well.

Meanwhile, Eva takes on a new client, Marianne (Catherine Keener), and they form a friendship as they bond over stories about their exes.  However, Eva slowly realizes that Albert is actually Marianne's ex-husband.  Rather than come clean, she keeps everyone in the dark as Marianne continues to dish dirt about Albert and eventually poison their relationship.

This aspect of the film could have been an absolute mess if handled differently, and there are lots of bad examples of coincidence like this being horribly contrived, but fortunately Enough Said is a smarter and more realistic film.  It's clear that Eva is torn with the prospect of coming clean and how it will affect her relationships.  While it did bug me a little that she didn't fess up right away, you can understand why she didn't, and Eva doesn't escape without consequence.  Despite Eva's mishandling of the situation, you still can identify with her.  It's not like she's bad person.

Another interesting angle in the movie was how Eva was dealing with the impending send off of her daughter.  She forms an odd bond with Ellen's best friend, Chloe (Tavi Gevinson), which isn't something that Ellen is all that wild about.  This could have felt forced or melodramatic, but it fit in well with everything Eva was already feeling and dealing with.  It helped that both Chloe and Ellen were portrayed as normal teens, rather than bitchy or angsty.  I'm tired of seeing movies where teens hate their parents by default.  Some kids actually get along with and love their parents.

One of the things that puts Enough Said in another league from other romantic comedies is that it's chock full of great performances.  Even the supporting roles are developed and acted well.  Eva's best friend Sarah (Toni Collette) and her husband Will (Ben Falcone) are hilarious as a couple that always seem to throw subtle, and some not so subtle, digs at each other.  The two of them were a highlight of the film.  Did you know that Toni Collette is from Australia?  I had no idea until I saw Enough Said.  I don't recall ever hearing her speak with her natural accent before.

Enough Said is consistently funny and ranges from being very sweet to awkward and uncomfortable humor.  I didn't find it cheesy and this is due in large part to it avoiding a lot of the typical romantic comedy cliches.  It also has an open ending, rather than wrapping everything up neatly with a nice little bow.  Written and directed by Nicole Holofcener, she does a great job of avoiding melodrama and balancing all the characters and plot elements well.  Even the limited interaction between Eva and her ex (Toby Huss) was handled in a cordial manner, rather than filled with acrimony.  Enough Said is a breath of fresh air for those frustrated with rom-coms where characters don't communicate or say what they really feel.

It's a shame this is James Gandolfini's last movie as he is really great in the role.  He's funny, charming and easy to relate to.  Part of me watched Enough Said with a heavy heart knowing this was gonna be it for him.  You will be missed, Mr. Gandolfini.

This is really Julia Louis-Dreyfus' movie though and she's fantastic.  I didn't really think about this until after, but this is a rare film role for her as she's stuck more to TV.  She's a total comedy pro and her timing and delivery is as sharp as ever.  Her chemistry with Gandolfini was very natural, and you never have any issues buying into their relationship.  She also shows a tender side and there's a few scenes toward the end that pulled on my heartstrings a bit.  I hope her success here encourages her to take on more roles on the big screen.

Enough Said is a mature romantic comedy.  It's sensitive, smart, realistic and features great performances from Julia Louis-Dreyfus and James Gandolfini.  This is a great date movie to catch on a matinee.

4 (out of 5) Death Stars

The Way, Way Back (2013)

It's no secret that I loved The Descendents, and called it one of my favorites of 2011.  The adapted screenplay from Jim Rash and Nat Faxon won an Oscar, as well as gave us a good laugh at AngiesRightLeg's expense.  I was eagerly looking forward to their next collaboration, as this time they were taking on directing duties, too.  The duo seems to have a knack for sweet stories filled with humor and nice human moments without resorting to too much quirk.  Plus, I love Rash on Community and really liked Faxon on Ben and Kate until Fox shortsightedly cancelled another good show.  You can say I'm a little biased on this one.

Duncan (Liam James) is on the road to summer vacation with his mother and her new boyfriend Trent (Steve Carell).  While Pam (Toni Collette) is asleep in the car, Trent asks Duncan to rate himself on a scale from one to ten.  Duncan reluctantly answers with six.  Trent disagrees and calls him a three.  Trent's kind of a dick, but he has a point.  Duncan is a terminally shy, awkward 14-year-old that really needs to get out there and develop some social skills or any kind of social life.  He's uncomfortable around everyone, especially the cute girl next door Susanna (AnnaSophia Robb).  Trent wants him to get that score up.  His heart is in the right place, but that's not the most constructive way to tell a kid you don't know that well that he needs to get out there.  Also, telling a kid he's socially awkward doesn't help him not be awkward or help him grow socially.  Give him some tools or notes to improve.  It's like saying I know you suck, you need to suck less.  How does that help?  He's a little too hard on the kid overall.  Plus, it's one thing to be hard on your own son, but when you're hard on the son of your girlfriend, I tend to think that's crossing a line.  It's interesting to note that Trent hides this behavior towards Duncan, as well as other things, by doing it when Pam is not around.

Trent has a older daughter (Zoe Levin) that doesn't want to be seen with Duncan either.  Pam and Trent spend a lot of time with the drunk next door neighbor (a fun Allison Janney), as well as a couple of Trent's friends, played by a somewhat muted Rob Corddry and Amanda Peet, who needs to be in more movies.  Betty (Janney) encourages Duncan to hang out with her younger son (River Alexander), but he's a bit of an oddball.

Duncan eventually gets tired of all the drunken, adult shenanigans and starts exploring the town on his own.  While hanging out at a local water park, the park's manager Owen (Sam Rockwell) takes Duncan under his wing and hires him to do odd jobs.  It's never really clear what Owen's role or job is, especially since he seems to answer to Caitlin (Maya Rudolph), who laments her station and that she works harder than just about everyone there.  Anyway, Duncan becomes more and more comfortable around everyone and makes many friends at the water park.  Owen is that mentor, older brother, or even father that Duncan lacks.

The Way, Way Back is yet another coming-of-age story.  Is 2013 the year of coming-of-age films?  I'm happy to say though that his continues the trend of good ones.  When I look back at earlier films like Mud or The Kings of Summer, they all have a distinct tone and style to them, so I've yet to feel like I'm in a cycle of watching the same movie and over and over.

Later in the film when Trent's true colors are on display, Duncan's finally able to stand up for himself and confront him and his mother.  It's that moment in the film where you see that he's becoming a man.  I think one of the reasons why I enjoyed the movie so much is that I saw a lot of myself in Duncan.  I was a goofy looking kid when I was that age.  Braces, bad hair, unsure of myself, and really, really shy.  What I would have killed for an Owen back then.  Liam James plays that socially awkward kid well.  I can forsee a few more roles like this for him in the near future.

Much of the supporting cast isn't in the film as much as I would have liked, but they're not the focus.  I appreciate seeing Steve Carell playing against type again.  I like it when he branches off his typical comedic track.  AnnaSophia Robb has been a favorite young actress of mine since Bridge to Terabithia and she finally seems to be getting larger exposure in recent films.  I still predict big things for her.

Where the film really takes off is when we're at the water park.  There's lots of playful interaction between Sam Rockwell and Maya Rudolph, as well as most of the other employees played by Jim Rash and Nat Faxon.  The relationship that develops between Duncan and Owen is sweet without being cheesy or forced.  When we finally reach the end of the film, you don't want to see these two say their goodbyes, but it's done in a way that's satisfying.

As much as I liked The Way, Way Back I have to wonder if I would have liked it as much if Sam Rockwell hadn't been in it.  Would I have been as invested not knowing he's showing up later?  Sam Rockwell is easily the best thing about the film.  Every scene he's in is great.  He's so good that if another actor had played Owen, I'm not sure that movie would have worked at all.  A water park might not need an anchor, but sometimes a movie needs an anchor like Rockwell.

One thing struck me as odd is that when you see the family driving in an old station wagon, I wasn't quite sure if this was a film set in the past.  This is confused further when it's mentioned that Trent is car salesman and brags that he's fixed the car up as a classic.  I'm pretty sure I saw some of the younger folks using cell phones (but not Duncan), and there's references to iPods.  Then in other scenes, you see people playing Pac-Man and Duncan is familiar with the game to the point where he points out that the game has a pattern.  There's also lots of 80's music.  It really doesn't matter all that much as this is another movie that's timeless.

Much like I said about The Kings of Summer, The Way, Way Back is a film that I didn't want to end.  While it's a simple, coming-of-age story in a year full of them, it still manages to stand apart with its own style and voice.  It's extremely funny, sweet and is worth seeing just for the great performance by Sam Rockwell.  I wouldn't be surprised to see a best supporting nod for Rockwell this year.  I look forward to seeing the film again.  Still playing at select theaters, I highly recommend checking it out soon.

4.5 (out of 5)

Hitchcock (2012) - Movie Review

A movie based on a book about the making of a movie.  If this loops on itself more, it'll create a singularity that will destroy us all.

Hitchcock is a behind-the-scenes look at the making of Psycho, a movie that starred Anne Heche and Vince Vaughn.  I'm kidding, of course.  That remake sure was a misfire, wasn't it?  I actually knew very little about the movie Hitchock going in, but I'm always up for a good biopic, especially when it's about such a fascinating person and iconic film.

We begin as Alfred Hitchcock is looking for an idea for his next film.  He wants to do something a little different, and thinks he's found it when he reads the book Psycho by Robert Bloch.  The studio, however, isn't too thrilled with his choice of project, so Hitchcock decides to take a risk and finance the film himself.  He's believes so strongly in the film, that he even has all copies of the book bought up, so that nobody would have the twists spoiled.  Even back then Hitchcock understood the value of no spoilers.  These days any asshat with a blog can spoil a movie for you.  Wait a second...

It's funny to me that a well respected director like Hitchcock didn't have full confidence from the studio when wanting to do a different project.  When you consider the crap that gets made these days, it blows my mind that he'd have difficulty getting a film made.  It also goes to show you how different the business is now.

Hitchcock is based on the book Alfred Hitchcock and the Making of Psycho by Stephen Rebello. From what I hear, it's a fantastic and extremely well researched book that I'm going to have to pick up after watching the film.  Despite being based off such a well respected book, the movie version of it felt a little thin.  I think the problem director Sacha Gervasi (Anvil: The Story of Anvil), and writer John J. McLaughlin had was that they couldn't decide on what to cut from the film.  There's a lot going on, so you have a mix of the film being a little tonally inconsistent and lacking depth in a few key areas.  For example, you learn about his relationship with his wife Alma (Helen Mirren) and their difficulties.  This was an area I wish the film would have gone a little more in depth into.

There are some funny moments, but you never feel like they were making a comedy, and there isn't enough about his personality to come away thinking it's a character study. Throughout the film you see these exchanges between Hitchcock and Ed Gein, an actual serial killer that the character of Norman Bates was based on.  I wasn't clear what these scenes were meant to represent, so they felt odd and seemed like they could have been removed in favor of focusing more on the making of Psychoand Hitchcock's personality and relationships.

I find it a little ironic that a movie about "The Master of Suspense" contained very little actual suspense.  We all know how this is going to turn out.  It's not like we're getting an alternate universe were he's never able to complete the film, or it's a bomb.  It's still fun to watch it all play out though.

As you'd guess, the strength of the film are the performances. Anytime you get Anthony Hopkins and Helen Mirren as your leads, you know you're going to get a well-acted film.  Mirren is wonderful and you see how Alma was 'the woman behind the man'.  She would have carried the movie by herself were it not for the performance of Anthony Hopkins as Hitchcock.  It seems like kind of an odd choice to get someone so well known to play Hitchcock, but the makeup job is so good, that it actually took me a bit before I realized it was him.  I thought Hopkins was playful and it made me like Hitchcock all the more.  Scarlett Johansson plays Anne Heche...I mean Janet Leigh and I found her to be very pleasant.  Jessica Biel and James D'Arcy have very small roles as Vera Miles and Anthony Perkins.  You'll recognize much of the supporting cast and I was surprised to see people of their caliber play such small roles.  Even The Karate Kid shows up.

Lastly, I wanted to give a small shout out to my favorite theater The Vine (www.vinecinema.com) in Livermore.  They upgraded their screens and projectors just this past week, and boy what an upgrade! The film looked fantastic.  It was bright and clear, with HD quality that rivaled my 3D TV.

Whether you're a fan of Hitchcock, the movie Psycho, or just like a good behind-the-scenes biopic, there's a lot to like about Hitchcock.  I had fun with the film and enjoyed it, but couldn't help thinking there needed to be more.  You have great performances from the cast, but it only scratches the surface.  This isn't something you need to rush out and see, but I do think it's worth seeing.

3.5 (out of 5) Death Stars