Showing posts with label Ari Graynor. Show all posts
Showing posts with label Ari Graynor. Show all posts

Thursday, December 20, 2012

The Guilt Trip (2012) - Movie Review

I think the moral of the story is that if you're mean to your mother, you look like a dick.

Andy (Seth Rogen) has invented a new cleaning product that he's having difficulty selling.  He's about to embark on a cross-country trip to pitch his product to several different companies.  He begins by returning home to see his mother, Joyce (Barbara Streisand).  In the short interaction before the trip, you learn that Joyce hasn't dated since Andy's father died when he was 8.  She also reveals that she had a love interest before she married her father.  Andy tracks this mystery man down and figures a way to fit a visit to this guy while on his trip.  He invites his mother along, which already kind of contradicts the title of the film, as I never felt like he invited her out of guilt or that she guilted him into coming along.

The actual 'Guilt Trip' begins and then the movie became tedious to watch.  I was squirming in my seat and was actually considering leaving, which is something I don't think I've ever done.  It wasn't insulting, but there was barely a laugh to be had and there wasn't anything particularly interesting about it.  The first half of the movie kind of hinges on setting up Joyce as a nagging and overbearing mother, and while her character is as cliched as they come, you don't have any reason to dislike her. So then your focus turns to how Andy's behavior towards his mother really doesn't make him all that likable. Andy craps on any suggestion Joyce gives him even though it's clear to everyone she's right.  It's not very entertaining to see him be extremely inflexible and rude when she's just basically being a normal Mom.

To The Guilt Trip's credit, there's a scene about halfway through the movie that changes the course and tone of the film.  From that point on it actually got funnier and I started to enjoy it more, as well as sympathize with everyone a little bit.

As I mentioned, one of the main issues of the film was that there weren't any laugh-out-lout moments.  Even a small chuckle here or there would have been nice.  The sad part is that Rogen and Streisand had good chemistry, but lacked the kind of banter that really would have driven the movie, pardon the pun.  You'll really notice this during the credits when they show you a series of deleted scenes that did show exactly that.  It also didn't help these scenes got the biggest laughs from the audience.  It's a shame and it illustrates what a missed opportunity The Guilt Trip had to really be a good comedy.  The supporting cast is also wasted in that they have several comedic actors (Casey Wilson, Adam Scott, Ari Graynor) in straight roles with barely any dialog.  I'm not sure why you'd go through the trouble of getting funny, recognizable actors and then not use them at all.

I'm surprised they decided to roll this out a week before Christmas, as there's nothing holiday-themed about it at all.  The performances from the leads, while not bad, aren't exactly going to blow you away either.  I actually enjoyed Streisand, and I can't really call myself a fan of hers.  The film does wrap up nicely and has some heartfelt moments towards the end, but the first half of the movie doesn't have a strong enough setup for those scenes to really have much of an emotional impact. You've seen many other movies do a better job with similar family themes.

I'm kind of surprised with how this turned out, because director Anne Fletcher had a fairly modest hit with her last film The Proposal.  Writer Dan Fogelman has written movies like Bolt, Tangled, and Crazy, Stupid, Love., so he's got a pretty good track record as well.  I even hear he based the story off a real-life trip he took with his mother from New Jersey to Vegas.  You'd think drawing from experiences would give the film a more personal feel to it, but it's about as generic as they come.

The Guilt Trip is a harmless, but formulaic and forgettable film.  It wastes a good cast by not having any significant laughs, and doesn't have enough heart to warrant seeing this over the holidays.  You can save this one for rental.

2.5 (out of 5) Death Stars

Wednesday, September 26, 2012

10 Years (2012) - Movie Review

Is Channing Tatum omnipresent?  I feel like he's everywhere now.  I suppose it's the year of Channing Tatum, and this was before they pushed back G.I. Joe: Retaliation.

I was a little leery when I heard this was yet another high school reunion movie.  We already had American Reunion earlier this year, which is an increasing disappointment the more I think about it.  How many more variations can we have on the reunion theme? Fortunately, 10 Years is what American Reunion could have been if it had any humanity about it.

The story focuses primarily on Jake (Channing Tatum), who goes to his reunion with his current girlfriend (played by his real-life wife Jenna Dewan-Tatum).  You meet most of the major players at a small pre-party gathering, hosted by former jock Cully (Chris Pratt) and his wife Sam (Ari Graynor).  They've settled down and had a few kids, but Cully is looking forward to cutting loose.  He also desperately wants to apologize for the bullying he did to several of his classmates.  There are close friends Marty (Justin Long) and AJ (Max Minghella), who both really want to see the hot, popular girl Anna (Lynn Collins).  Marty, in particular, is hoping that maybe there's potential for some reunion hook up action.  You have Garrity (Brain Geraghty), who comes with his wife (Aubrey Plaza), but she isn't too thrilled to find out how he used to be back in high school.  There's even the now-famous Reeves (Oscar Isaac), who wrote a hit song, and is anxious to talk to the girl he used to have a crush on.

As the alcohol flows, you find out more about everyone and their stories from high school.  For some of them their old high school personalities resurface, and some get nervous to talk to their old crushes.  You see how even though 10 years has passed, some are still struggling with adulthood. There is a realism to 10 Years that I don't normally see in a movie like this.

It seems that they went to a fairly small school, as nearly everyone was to be fixated on whether or not Jake's ex, Mary (Rosario Dawson), will show up.  She eventually does, with new husband (Ron Livingston), and you could feel the tension in the room.  They build up that something happened between them, but when you find out what it was it seemed a little overblown. I get that because they were homecoming king and queen that all eyes might have been on them, but it's been 10 years.  Not all high school sweethearts work out.  People grow apart and move on.  It's not that it wasn't significant, but with the way everyone was acting, I was thinking it was going to be something more earth shattering.  Thankfully, Jake and Mary get a chance to talk like adults, and the movie doesn't go down a predictable path for these two.  It might have ruined the film if they had.

As for the others, Marty and AJ do catch up with Anna, but it's funny to watch Marty become increasingly frustrated with AJ competing for her attention. Why are you cock-blocking your buddy, AJ?  Bad form!  You also spend a lot of time with Reeves and his crush (Kate Mara), and at first it seemed like they were getting too much time in the movie, but then their story has a nice payoff that made it worth watching.

Cully gets his opportunity to apologize, but as he gets progressively more drunk, he becomes a bully of a different sort.  It's uncomfortably hilarious for us to watch.  As he's shown how he can be on Parks and Recreation and The Five-Year Engagement, Chris Pratt is hilarious throughout the movie.  He was definitely the highlight.  Ari Graynor was also great as she continues to babysit him and get frustrated with his antics as the night goes on.

I almost forgot about Channing Tatum.  He was one of the producers of the film, and even though the movie primarily followed him, it felt like he took a back seat to much of the cast.  It gave the movie a sense of balance, where you didn't feel like the other characters didn't matter.  It was also cute seeing him with his wife.  They had nice chemistry on screen and are a gorgeous couple that will have super babies when their lives take them down that path.

This is the directorial debut for writer Jamie Linden (Dear John, We Are Marshall), and he did a good job of balancing a fun cast and getting good performances out of everyone.  When the movie starts, I was getting excited when I saw people like Aubrey Plaza, Justin Long, Ron Livingston and Anthony Mackie, but I was worried that the cast might be too stacked.  Fortunately, they all get to have their moments as the night goes on. Despite everyone's flaws, they all felt very real and and sympathetic.  I also appreciated that nobody came off as an over-the-top high school stereotype. 10 Years is very funny without trying too hard or going for silly and obvious jokes.

10 Years isn't breaking any new ground as far as premise.  However, it goes to show you that if you have a likable cast and don't fall prey to melodrama, you can still have an engaging and entertaining movie.  As someone that recently had his 20-year reunion, this felt like a very realistic and consistently funny look at one.  10 Years is in limited release, so I strongly recommend it as a rental once it becomes available.

3.5 (out of 5) Death Stars

Wednesday, September 12, 2012

For a Good Time, Call...(2012) - Movie Review

When we first meet Lauren and Katie, both are going through their own personal crises.  Lauren's boyfriend breaks up with her as he takes a job in Italy, citing that their relationship had become boring.  Katie's in danger of losing her apartment unless she can get a roommate in just a few days.  They are put together by a mutual friend, but there's a big problem:  These two met back in college and don't like each other.  Also, they are polar opposites as far as personality.  Both are desperate though, so they give it a shot.

After a short time, Lauren (Lauren Miller) finds that one of Katie's (Ari Graynor) many odd jobs is talking on a phone sex line.  Lauren disapproves, but notes that Katie can make a lot more money if she sets up her own line.  As Lauren is recently out of work, she agrees to help with the business side of things.  Their friendship grows over time, and eventually, Lauren loosens up enough to talk on the phone sex line herself.

It's interesting I watched this and Bachelorette (should have the review up for that one later) back to back as they are both female-driven raunchy comedies written by women.  The difference with For a Good Time, Call... is that while it's a raunchy comedy, it's done without over-relying on visuals, where Bachelorette's humor felt more blunt and obvious.  I never really felt like For a Good Time, Call... went over the line as far as being vulgar.  The movie is as much about about these two becoming best friends and learning more about themselves, than it is about what they do to make money.  That friendship is what keeps you watching.  It would have been easy for them to rely strictly on sex jokes, and not develop their friendship and personalities, but fortunately we get something that has more substance than that.

Lauren Miller co-wrote this with Katie Anne Naylon, and it's based on their own college experiences.  This fact just makes me wish I had known them back in college.  I'm sure they were a lot of fun.  I also just read that she's the real-life wife of Seth Rogen, who has a small cameo in the film.  Seth is a lucky man.   As far as their script, my only real issue is that it's a little too predictable at times, especially with the conclusion, but the strength is the realistic dialog and characters.  As the conservative and reserved one, Lauren is playing the 'straight man', but I think was vulnerable and sexy in her own way.  Miller said she specifically wrote the role of Katie for Ari Graynor.  Perpetual indie movie best friend up until this point, Graynor finally gets a chance at a leading role and she makes the most of it.  She's plays the role with the perfect combination of sassy, sexy and funny.  I really can't see too many other young actresses pulling the role off as well as Graynor did.  You should expect bigger things for both of these two going forward.

Scene stealer, Justin Long, is great as their gay best friend.  He's not quite as over-the-top as he was in Zack and Miri Make a Porno though.  Ironically, Kevin Smith also has a cameo appearance in this, while Lauren Miller had a small role in Smith's film, so talk about making good use of your friends.  Anyway, Justin Long continues to be a go-to guy for funny supporting roles, and has become one of my favorite, underrated actors.

First time feature director (always seems to be a theme with late summer and indie films) Jamie Travis gets good performances out of his cast and everyone remains likable.  It's always nice when you watch a movie and you can see yourself hanging out with these people.  As the movie takes place over a few months, the friendship felt natural and wasn't rushed.  This was impressive to me, as the movie runs just 86 minutes.  They use their time well.

For a Good Time, Call... is a predictable film, but it's not without it's charms.  It's a funny look at friendship and carried by the strength of the performances.  It's not a perfect film, but it's exactly what the title says, a good time.  That's all I ask with any comedy.  This is a great matinee and something to get a few friends together to watch.

3.5 (out of 5) Death Stars



Tuesday, September 4, 2012

Celeste and Jesse Forever (2012) - Movie Review

When we first meet Celeste (Rashida Jones) and Jesse (Andy Samberg), they come off as an almost annoyingly cute couple.  They enjoy hanging out together, profess their love for each other and share all kind of inside jokes. However, when having dinner with friends, Beth and Tucker, Beth (Ari Graynor) snaps that she can't take this anymore. You see, Celeste and Jesse have been separated for six month and in process of divorce. For their friends, their continued relationship is unhealthy, but C & J don't see anything wrong it. They are still good friends and don't understand why they can't remain that way. To everyone else, they look like two people that can't move on.

Celeste, a successful business woman, grew tried of Jesse's unemployed artist shtick and his lack of motivation to work.  She didn't see herself having kids with him, so she ended the relationship.  Jesse, however, thinks Celeste will come back around if he waits it out.

His friend and marijuana dealer, Skillz (co-writer Will McCormack), convinces Jesse to get back out there and date more.  He does and reconnects with a girl he hooked up with a few months back, and decides to make things work with this new girl.  When Jesse tells Celeste, she has a hard time dealing with this and she tries to get back out there herself, with mixed, and sometimes hilarious, results.  She also encounters some professional difficulty, so things spiral out of control for her and nearly hits rock bottom.

One thing I really liked about Celeste and Jesse Forever was that it doesn't turn to all the typical romantic comedy cliche's where you know that everything is going to lead back to them getting back together.  C&JF isn't about that.  It's about actually breaking up, moving on and finding happiness elsewhere.  Another thing I really enjoyed about the movie was that the characters were flawed, even unlikable at times, but realistic.

It's not a perfect film though.  I felt that the humor was a little inconsistent, maybe a little too broad throughout the movie.  Also, I was having difficulty getting into Celeste and Jesse Forever initially. The audience was laughing, but I couldn't help be think they were trying too hard to be cute. After about 15 minutes though, I settled in and as I learned more about the characters, I became invested in where things were going to go.  Don't get me wrong though, the movie is funny, but it just took me a bit to warm up to it.

I've been on a theme of simplification lately.  Celeste and Jesse needed it.  There were too many characters and subplots going on.  The movie drags a little bit, so trimming a few of these characters from the film would have make this a much tighter and interesting film.  I'm not sure this is correct, but the run time is listed at 90 minutes.  It felt longer than that.  Looking at the clock after the movie was over, it certainly seemed closer to 100 minutes or so.

It pains me to say it, as I liked the cast, but some of the characters were really throwaway.  Elijah Wood's character felt like it was in there just so Celeste could have a cliched gay friend, and was used for a few easy jokes.  There's a subplot with a Ke$ha-like character, played by Emma Roberts, that also wasn't needed to tell the story.  I liked both the characters, and I liked the performances, but the movie could have been told without them and those same points delivered by other characters already established in the film.  For example, towards the end you realize that Celeste and Jesse have been friends with Beth and Tucker since before any of them were dating. You wouldn't know that from the movie though.  Tucker (Eric Christian Olsen) really isn't given much to do in the movie, and it seemed like many of the points made to the Celeste and Jesse throughout the film, should have been delivered by Tucker and Beth, instead of being delivered by side characters.

I didn't realize until the credits rolled that this was co-written by Rashida Jones.  It makes sense as the story is really more about Celeste and her growth than Jesse.  As I've said earlier, her script cold have used some  simplifying, but I stilled liked how authentic the relationships and people felt. The movie also shows you that  Rashida Jones can carry a movie and is poised to take the next step to stardom.  I'm actually surprised this hasn't happened sooner for her, as I thought she was great in I Love You Man and on Parks & Recreation.    Her chemistry with Andy Samberg was believable and it was nice to see Samberg show a more serious side.  I haven't said much about Samberg, as the story doesn't focus on him much as it moves on, but he does get a chance to show some range and that there's more to him post-SNL.

Celeste and Jesse Forever is a realistic look at a breakup and moving on.  This may hit a little too close to home for some you, especially if you've either gone through a breakup like this or know someone that has.  It's a frustrating, emotional roller coaster that nobody wants to deal with.  As far as indie dramedies go, much like Ruby Sparks, this is a different look than what you typically see and worth watching.  It's funny and smarter than your average dramedy.  I recommend it as a matinee, but it may not be the best date movie since it's about a breakup.

3.5 (out of 5) Death Stars