Showing posts with label J.J. Abrams. Show all posts
Showing posts with label J.J. Abrams. Show all posts

Friday, December 18, 2015

Star Wars: Episode VII - The Force Awakens

Non-Spoiler review. I'm gonna do a more spoilery review in a few days.

Okay, lets get this out of the way. I've already seen it more than once, and I loved it more the second time. Granted, it's probably still only the the third best Star Wars film, but that's not a bad thing. It kills all of the prequels (there were prequels?) by a long shot. The Force Awakens might as well been called "The Faith Restored". Thank you JJ Abrams for being the Star Wars fan I thought you were.

I've heard this is a Star Wars movie that can be seen by someone that's never seen a Star War before and still enjoy it, and that's definitely true. The Force Awakens has a short learning curve.

I'll get the bad out of the way first. The main issue I had with the film is that it recycles a lot of plot points from previous Star Wars films, but I look at that as if you're gonna try to restore faith and recapture a lost audience, might as well start from a safe place. Even with the basic Star Wars plot, it leaves a lot of questions open where you can see potential places where the sequels may go. It's not completely obvious where the next films will go. My only other real disappointment in the film is that the score wasn't all that remarkable. It has the old Star Wars musical cues we all know, but I didn't hear anything new that blew me away.

On to the light side. The new characters are fantastic! I wasn't sure how the new guys would play, but they totally carry the movie and you care about each of them. They succeed in bringing a new generation of fans to the franchise. Finn is a great, funny, original character. Rey is the new, upgraded Leia for the next generation. Poe wasn't in the movie all that much, but he just became the Star Wars character I'd most like to have a beer with. Kylo Ren plays the intimidating, conflicted villain that the series needs. I can't wait to see what they all do in the rest of the series.

The action is great and the film is shot beautifully. If you're worried about JJ Abrams lense-flare, then worry not. It's non-existent. There's a lot of creative and interesting shots that we've never seen in a Star Wars movie before. None of the long, walking exposition shots to be found here, nor any of the shot/reverse-shot style of dialog. The film is paced beautifully. I don't think I took a breath the first 30 minutes of the movie either time I saw it.

It's easily the funniest Star Wars film as well. JJ Abrams nails the humor and character interaction. The dialog is a vast improvement over anything the the prequels. The stunted dialog and robotic behavior is completely gone! It's an emotional film, too! I got choked up a few times the first time I saw it, but even more so the second time when seeing my nephews react to it. This is the nostalgia I needed.

Star Wars: The Force Awakens is the Star Wars movie you're looking for. While derivative, it delivers the fun, action and humor fans craved. It successfully restores faith in the franchise, and gives it the kick in the pants it needed. This is fun for the whole family!

5 (out of 5) Death Stars - Yes, I'm grading on a curve. It's a flawed movie. I don't care!

Mind Blown!






Thursday, May 16, 2013

Star Trek Into Darkness (2013)

What are Star Wars and Star Trek fans gonna argue about now that the franchises share the same director?  Can you just imagine how it would go?

"The last Star Trek movie had superior direction than Episode VII.  Ugh, and those lense flares on the lightsabers!  Are you kidding me?"

"Um...weren't they directed by the same guy?"

"Oh yeah..."

J.J. Abrams, uniting geeks since 2015.

It's really weirding me out that there's no colon in the title of Star Trek Into Darkness.  Shouldn't there be a colon between Star Trek and Into Darkness?  Otherwise, isn't the title saying that they are taking a trek, based in the stars, into darkness.  And what kind or darkness?  Space is dark, or do they mean darkness as in emotional tone?  I don't know why I'm hung up on that.

If you've been following my blog at all, or just look at my online name, it won't be a surprise to you that I'm not a huge Trekkie.  I didn't get into Trek until The Next Generation, which I loved.  I've also watched a fair amount of the more recent shows like Voyager, Deep Space Nine, and Enterprise, but I never really got into the Original Series.  Even the films featuring the original crew I've only seen once or twice each.  I understood the characters and the relationships, but I always felt like the Original Series and crew was a little before my time.

I was one of the guys that embraced the reboot and changes made in 2009's Star Trek.  I thought it was a good way to introduce Star Trek to the mainstream and a new generation, while still showing some respect to the Original Series.  In some ways I enjoyed Into Darkness even more than the previous film.  I didn't have to spend any time accepting a new cast or wrapping my head around the fact that it's set in an alternate timeline.  I was able to just sit back and enjoy the movie for what it is, and for most of the film that worked for me.  However, many things happen in the second half that really detracted from the film, and not just from a Star Trek perspective, but from a general storytelling one.

I can't really get into the plot too much without spoilers, but I will say that if you've been following the rumors about what Into Darkness was going to be about, I can say that much of what I heard was true, to varying degrees.

Everyone is back for another adventure.  This time the crew is responsible for tracking down a terrorist that has committed several attacks against the Federation.  This terrorist is a rogue Starfleet member named John Harrison (Benedict Cumberbatch).  He's retreated to Kronos, the Klingon homeworld.  Admiral Marcus (Peter Weller) tasks Kirk (Chris Pine) and the Enterprise to hunt him down, even though this may risk full on war with the Klingons.  This manhunt, as well as travelling so close to Klingon territory isn't something that sits well with several members of the crew.

Without revealing anything, they do a twist on a familiar Trek story, but I felt that many of these elements were totally forced.  Even if you weren't aware of any internet rumors or spoilers, the film has few surprises.  This will be especially true if you're familiar with the previous Star Trek film Into Darkness mostly references.

Another thing that really bugged me about the story is that they setup a climax that's supposed to have all this emotional significance, but a previous scene in the film has already let you know that what you're watching is not going to have any real consequence.  Knowing this takes all the impact out of it, and you could feel that the audience wasn't really affected by this either.  They should have been moved by it.  Another twist in the film is spoiled simply by having Peter Weller playing the role.  This isn't Weller's fault, but he's become one of those actors that when you see him in a role, you kind of have him pegged.  I didn't find these things plot holes (there are a few though), as much as just telegraphed storytelling.  It doesn't completely ruin the movie for me, but the more I think about certain plot elements, the more they bug me.

Plus, with shoehorning these familiar Trek elements into it, it takes away from this being original.  Why go through the trouble of rebooting Star Trek and going in a different direction if you're just going to spend a good portion of your second movie doing fan-service to previous stories?  The sad part is that until we get about halfway through the film, it still felt like it was going for something original.

Even though the story was a bit of a disappointment, I wasn't disappointed at all with the look of the film or the action.  J.J. Abrams certainly knows how to make an action packed film that's filled with great effects and is never boring to look at.  There are some great sequences throughout the film and it doesn't let up for a minute.  People have joked for a while that when he made Star Trek he really just made a Star Wars film, and now it's clear that he really is ideally suited for Episode VII.  I can't wait to see what he does with it now.

Seriously, this is only a slight exaggeration this time around.
The 3D is actually good for a change.  I saw this in RPX and this is an example of where I thought it enhanced my enjoyment of the film.  I just heard that 30 minutes of this was shot in IMAX, so even though I didn't see it in IMAX, I'd recommend seeing it in that format if it's available to you.  Oh yeah, this movie's got lense flares galore.

Another strength is that it does have some very funny dialog.  The cast still has great chemistry, and that's holding these films together.  I was a little surprised by how much people say "shit" in the future though.  You'd think we would have phased that out by then.

While in the last film, I thought Uhura (Zoe Saldana), Sulu (John Cho), Chekov (Anton Yelchin), and especially Bones (Karl Urban) had their moments, I felt like this time the real standouts were Scotty (Simon Pegg) and Spock (Zachary Quinto).  Simon Pegg in particular is a total scene stealer.  I also enjoyed Benedict Cumberbatch's performance even though there were many things about his character that bugged me.  I wasn't quite sold on Chris Pine this time around though.  While I really liked him in the first film, I had a harder time buying into some of the scenes where he was trying to be intense and angry.  I think some of this comes from how the characters were written though.  The motivations of both Kirk and Harrison weren't consistent for me.

As far as summer blockbusters go, there's a lot to like about Star Trek Into Darkness.  If you're a fan of the last Star Trek or sci-fi action in general, then it delivers on exactly what you're expecting.  However, if you're a Trekkie, your mileage may vary, especially in the third act where even a non-Trekkie like myself had issues with some of the forced plot elements.  Still though, it has great effects, tons of fast-paced action and enough funny moments to please those looking for a good time at the movies.

3.5 (out of 5) Death Stars



Saturday, May 4, 2013

Fixing/Rebooting the Prequels - From an obsessive Star Wars geek that won't let it go...

Ever since Episode I came out I've often thought about what could have been done to make the prequels better or what would I have done differently.  I would actually fall asleep at night thinking it through.  Yeah, I know, I'm a massive dork, but I'm guessing I'm probably not the only obsessive Star Wars fan that's done this at some point.  After Revenge of the Sith came out though, it's something I kind of gave up on.  Star Wars was 'dead' at that point, right?  Thoughts would still pop in my head from time to time.  My interest was rekindled after watching the awesome Red Letter Media "Mr. Plinkett" reviews of the prequels.  They made mention of several ideas that could have been done to make the prequels better (and you'll likely see some references to that below).  Then when Disney announced the purchase of LucasFilm and that more movies were coming, it really got Star Wars on the brain again.  Also when you consider the J.J. Abrams is directing Episode VII, and he already did a successful reboot/re-imaging of Star Trek, maybe it's possible that down that line someone decides to take a crack at a similar thing for Star Wars.

I guess you can consider this blog post a living document.  I'm sure I'll revisit it from time to time and update it as I think of more stuff or mix it up a little.  This is also a really long post, so I've broken it up into several pages for the overview and each Episode.  Hopefully, that'll make it a little easier for you all to read.  With it's length, this might have a 'draft' feel to it, so let me know if you catch something I should fix.

This is all just done for fun, so hopefully you enjoy it, and feel free to add your own suggestions in the comments below.

First off, I know how this completely breaks the prequels. but since they're already broken, then who cares at this point.  I'm also not going to bother with renaming any characters and planets just to make things easier.

One of the easier and more obvious fixes is to first get rid of the whole concept of midi-chlorians.  Just throw Episode I.  This was mentioned in some of the Plinkett/RedLetterMedia stuff, but an example of this was that once the Jedi were aware that there was likely a Sith hiding at the top levels of the Senate, and there was a quantifiable way through a blood test to tell if someone has Force ability, then why wasn't everyone forced to submit to a blood test?  How is it any different than any employee having to submit to a drug test?  Anyway, I'm guessing that the whole idea of midi-chlorians was born out of George Lucas coming up with the name, thinking it was too cool not to use, and then throwing it in Episode I without any thought of how it would play out, or how it pretty much contradicts everything Obi-Wan and Yoda said about the Force in the Original Trilogy.  Then when he realized it didn't work, he just said screw it, and didn't bother with them for the rest of the prequels.  Getting rid of midi-chlorians would hopefully restore some of the mystery around the Force.
that out right away.  It's such a poorly thought out idea that I don't even know why it was put in the film. Not only did it ruin the mystery of the Force, but it wasn't even consistent in the prequels or referenced again after

This kind of leads into the second thing I would get rid of:  younglings.  Not kill them like Anakin did, or even the idea that there would be younger Jedi in training, but the idea that babies are taken from their families once it's discovered they have a high midi-chlorian count.  A better idea would have been to handle Force ability similar to how mutants are handled in the Marvel universe, where their powers typically manifest during puberty.  I'm pretty sure this is how Betazoids in Star Trek handled telepathy, as well.  This would also allow some interesting stories where you have 'prodigy' types showing significant Force ability at younger ages.  Anakin could easily be one of these kids, and that fact that he didn't get training until much later in life is one of the reasons why the Jedi found his power so dangerous and difficult to control, but I'm getting ahead of myself.

Jedi Academy on Dantooine
Another thing I would change about the universe is to show that becoming a Jedi is a revered thing and a great honor.  Kids would aspire to be Jedi and hope powers manifest when they are old enough.  Like imagine finding out around 11-13 that you're going to become a famous superstar athlete?  However, the random occurrence of manifesting Jedi powers is very low, and happens more amongst families that have a known Force sensitivity to them (I'll get to that later, as well).

When it's discovered a child has Force sensitivity, they contact the Jedi (or in some cases the Jedi sense them and they initiate the contact) and representatives show up to test the child.  If they pass, they are offered the privilege of training with the Jedi and moving to the Jedi Academy.  The families are financially compensated for giving up their children, so you can even show how desperate families attempt to 'fake it' and try to trick the Jedi in order to get the money.  It never works though. You can't fool the Jedi that easily.

Now, if they fail the initial test, or decline the offer to train with the Jedi, a ritual is performed that cuts the person off from using the Force.  They can't exactly have Force sensitive people running around the galaxy unchecked.  Also, in the case of trainees that wash out of Jedi training, they are also put through the ritual before being sent home.  Being a Jedi is not easy, so even though you may pass the initial tests, there's no guarantee you make it through the Academy.

A concern was brought to my attention regarding the ritual and someone being cut off from the Force.  There was a concern about this ritual being used for evil purposes (which I actually think could make for some interesting subplots in different stories), or that anyone Force sensitive may be subject to this.  While the idea of being cut off from the Force draws from Expanded Universe, I figured I'd expand on this a bit to clarify.  The ritual itself would only be known about by the highest Masters of the Order, and would require several people with extensive Force knowledge to carry out.  So while someone could potentially steal this knowledge  they'd have to be a considerable Force user to do this.  It could also be a reversible process, as losing powers never seems to be a permanent thing in any media.

This wouldn't necessarily apply to anyone that's Force sensitive either.  Force sensitivity would be in a range, where people on the lower end may not be noticed by the Jedi or show any outwards signs of it, but it could give them enhanced abilities or senses.  That allows for someone like Han Solo, who has often been said must of had some level of Force sensitivity to be such a great pilot and get out of so many sticky situations, but never actually giving off any detectable signs of Force use.

Once at the Academy, they go through a schooling period with Yoda and other masters on the history of the Jedi, basic Force use, meditation, swordplay, etc.  Eventually, as their rite of passage, they make their own lightsaber, and are then paired with a Knight or Master in the field as an apprenticeship, going around and doing diplomatic things, settling disputes, etc.  This schooling period has no time limit.  Stronger users get through it within a few years, while other can take decades.  Most are able to finish around the time they are between 18 and 20.  Students that take a longer time to pass the Academy, are usually put on a scholar's path, and are more likely to become instructors themselves.

All Jedi are expected to make sacrifices though.  Jedi are not allowed to marry.  Marrying is an honor bestowed only once achieving the rank of Master, as they've shown they have a mastery of their power and emotion.  Since the chances are greater that a Force sensitive will also have a Force sensitive kid, this isn't something that they want any Jedi being able to do.  By the time time most Jedi reach the rank of Master, they are too old to have kids or no longer have the desire to, fully devoting their lives to the Jedi code.  The option is there for them though, and longer living species usually benefit from this more.

Jedi are allowed to have emotion though.  This whole Jedi as emotionless monks just isn't realistic to me, especially when you consider all the different cultures and species that can become Jedi.  You can't expect species from thousands of different systems to conform to the same emotional range.  It makes sense when you take a single race, like Vulcans, and make it part of their culture and history that they decided to purge emotion, but again, it doesn't work in the Star Wars universe.  Throughout the Star Wars films, you see Jedi express emotion, so again, it's not even consistent in it's own Universe.

The whole marrying thing though can be another point of contention with Anakin.  You can show that Anakin doesn't always play by the Jedi's rule, and that the Jedi Council is extremely upset with him once they find out he has married in secret.  The Council can look at this as just yet another example of Anakin circumventing the rules and jumping ahead of others.  Many on the Council are already upset with how quickly he's advanced and they feel he's skipped past much of his training even though it's a time of war.  His age in the first place was one of the reasons that some didn't want him trained.  Anakin sees this all as resentment and jealousy towards him.  You know, it's like of like how veteran sports players sometimes have issues with young players skipping college and not having good fundamentals as a result.  As Anakin hasn't always shown maturity, this is another reason the Council isn't super happy about this.

So this is more of an overview of how I think the Jedi should have been, let's get to some of the actual story elements.