Showing posts with label James Hong. Show all posts
Showing posts with label James Hong. Show all posts

Friday, July 19, 2013

R.I.P.D. (2013)

It's natural when seeing the trailer for R.I.P.D. to compare this to something like Men in Black, and I'm sure that's what the makers were counting on.  The problem is that R.I.P.D. is missing all humor, fun, and chemistry of M.I.B.  It's a shame because with a few script tweaks and punch up, this might have been a fun watch.

Nick Walker (Ryan Reynolds) is a Boston detective that's killed in the line of duty.  In the afterlife, the head of the Rest In Peace Department, Proctor (Mary-Louise Parker), gives him the choice to either face judgement or join the force.  While not a dirty cop, Walker hadn't exactly been keeping his nose clean, so he takes the deal.  Plus, he hopes this will allow him to contact his wife (Stephanie Szostak).  Walker is paired with a veteran R.I.P.D. officer, Roy Pulsipher (Jeff Bridges), to show him the ropes.

I appreciated the fact that they don't take a long time to get the story going.  Everything mentioned previously takes place in the first 5-10 minutes.  The problem is they rush through it so fast that they don't really establish their own mythology that well.  The rules regarding the dead are just glossed over.  There's a whole thing involving how the dead react to spicy food and Cumin that is used several times, but never really explained well.  The dead have all kinds of effects on the outside world that aren't fully explored in any kind of fun way.

Even the powers the R.I.P.D. lawmen are just kind of waved off as they happen.  The biggest gag regarding the lawmen is that they appear differently to the outside world.  We find (and this is shown in the trailer) that Pulsipher is seen to outsiders as a hot blond (played by model Marisa Miller) and Walker is an old, Chinese man (James Hong).  I'm kind of shocked to see this was Marisa Miller's first movie role.  You'd think she would have been in a ton of films by now, even if she was just cast as eye candy.  Anyway, I would have liked to see a little more of her (and I don't mean in the flesh) and James Hong together, just to play on how the outside world perceives them, and to have to gags where Miller and Hong are doing Bridges and Reynolds impressions.  There's a lot they could have done with this, but they only use it to show people either staring at Marisa Miller or whistle at her.

The R.I.P.D. is comprised of the greatest lawmen in history.  That they don't take advantage of this at all is one of the biggest wasted opportunities of the story.  There's not a single reference to any historical lawmen.  No Wyatt Earp, Eliot Ness,Wild Bill Hickok, etc.  Hell, you could have tried to get Timothy Olyphant to reprise his role as Seth Bullock from Deadwood.  Just a small cameo would have been great.  Even if the makers of the film had said this is fantasy world, they could have had fun referencing fictional lawmen instead.  Wouldn't it have been cute to hear references to detectives and cops from old TV shows and movies, like Dirty Harry or Joe Friday?  The fact that there aren't even fictional references is all the more noticeable by the fact that Jeff Bridges is basically doing his Rooster Cogburn act from True Grit.  Why didn't they just make his character be Rooster instead of "Roy Pulsipher".

As much as I love Jeff Bridges, I really wish he had gone a different direction with his performance.  Again, I'm sure this is something the makers of the film thought would have a big appeal.  We'll get Bridges and have him do Rooster again and people will eat it up.  It didn't feel original, and then half the time you can't understand his dialog because it sounded like he's got a big wad of chewing tobacco in his mouth.  Ryan Reynolds, on the other hand, didn't appear to even want to be there.  That's likely because there's very little to his character.  He doesn't have any good lines, and he doesn't get a chance to showcase any of his normal, fast-talking delivery.  I didn't get any chemistry at all between the two.  Kevin Bacon tries to have some fun with his character, but again, he's not given much to do either.

Most of the attempts at humor fall so flat that I wasn't even sure if that's what they were going for.  It was frustrating to sit through this waiting for something to make me laugh, or anything interesting or clever to happen.  Characters and relationships are so poorly developed that they just become a series of repeated lines.  Pulsipher makes constant references to how he died, and there wasn't any point to it.  His character oscillated from weirdly sensitive to gruff, and you could never get a handle on what he was about.  There's also a strained relationship between him and Proctor that seems like they are setting it up for some kind of payoff, but it never does.

Director Robert Schwentke seemed to have difficulty finding a tone for the film.  It's never silly enough to be campy, but it's still difficult to take seriously.  I'm sure it didn't help that the script was brought to you by the writers of other smash hits such as Aeon Flux and the Clash of the Titans remake (Phil Hay and Matt Manfredi).  This was based on a comic book by Peter M. Lenkov, which I haven't read, so I'm really curious as to what the tone of the source material was.

It's interesting to note that they had originally cast Zach Galifianakis in the role, but he pulled out due to scheduling conflicts.  I think that would have been an interesting way to go, but it's a shame that we'll never see what could have been.  At least with Galifianakis in the role, it would have been a given that it was going to be a comedy.

The special effects weren't very good.  Most of the dead characters looked rubbery or computer game looking.  It actually looked like a film made 5-10 years ago.  Due to available showtimes, I got stuck seeing this in 3D, and it was totally useless 3D so you can skip that.  The action itself was pretty uninteresting as well.  It's just a series of ho-hum chases and shootouts.

R.I.P.D. is an interesting enough premise and could have been a fun film, but it ends up being a total bore.  There's no charm, wit or anything memorable about it.  It's a totally unremarkable and forgettable film.  I'm really surprised this came out in mid-July is this is something better suited for a late August or early September release.  If you have to watch it, save it for cable or cheap rental.

1.5 (out of 5) Death Stars


Monday, May 7, 2012

Safe (2012) - Movie Review

This is the type of action film I've been wanting out of Jason Statham for years.  All it took was the Russian and Chinese mafia to chase a little Chinese girl to make it happen.  Enough with this 'transporting' of hot models.

Safe stars Statham as Luke Wright, who's name will be drilled in your head after once sequence of dialog where his full name is repeated about 8,000 times in a row.  This is during a conversation between two people who both know who he is, yet have to say his full name over and over as if there might be some doubt as to whom they are talking about.  We've all figured it out by this point, have you guys? 

Anyway, Statham is a cage fighter that was supposed to throw a fight, but of course he screws up and doesn't, so now the Russian mob makes him pay.  Rather than kill him, they kill his wife and threaten to kill anyone he's ever going to know.  This forces Wright becomes a bum, wandering the streets unable to have much of the way of human contact for fear of being responsible for someone's death.

Juxtaposed with Luke's story, is the story of Mei (Catherine Chan), a Chinese girl that has the mutant ability to memorize any number she's seen in an instant.  This makes her very useful to the Chinese mafia, who call themselves 'old school', because they don't use paper or computerized records.  She's basically kidnapped  by the mob, with the promise they will take care of her sick mother as long as she works for them.  The mob is all about family and stuff.  At one point she's given a very lengthy and important number, which has now made her the target of Russian mafia, who want this number too.  We aren't sure what for yet, but more will be revealed as the movie goes on.

Mei and Luke's paths cross, literally, when Luke notices Mei hiding from a group of Russian mobsters.  Even though he really had no reason to get involved (other than maybe take advantage of an opportunity to stick it to the Russians), Luke Wright leaps into action and saves the girl.  He's the former cage fighter/bum with the heart of gold, I guess.  Only, we are soon to find out that he's no ordinary cage fighter/bum.  Like The Transporter, there much more to him than meets the eye.  Oh wait, I'm thinking of The Transformers.  Why hasn't Statham been in any of the Transformer movies?  I'm getting off track again...

I have to wonder if director/writer Boaz Yakin (Remember the Titans, Uptown Girls) is a fan of old school action films. Safe has all the 80's action cliches: car chases, gun fights, fight fights, dirty cops, bad dialog, bosses with over the top accents, etc.  It's actually not a bad effort though, but I wouldn't expect any less from the writer of Dolph Lundgren's The Punisher.  The action moves along at a very fast pace and you never feel like the movie drags during its 90 minute runtime.  It also has a nice 'gotcha' at the end.  I hesitate to call it a twist, but it caught me by surprise even after I had been warned about it before seeing the movie.

As far as the action goes, it's all done well.  There's lots of nice Statham ass-kicking moments punctuated by loud punches and thuds.  There were a few too many quick-cuts with the editing during the fighting though.  This is still a pet-peeve of mine.  The other thing you'll like is that nobody really ever hesitates to act in the movie, if you think a guy is about to punch someone, don't worry, he is.  Have you ever watched an action film and wondered why the guy with the gun doesn't just shoot the other guy when he has the chance?  That happens here.  Safe is a violent film and totally-over-the-top, but it's done in an entertaining way. 

It is pretty much completely a Statham vehicle, with the rest of the cast made up largely of no-names or people you may barely recognize from other small roles.  The only person I recognized was Chris Sarandon, who most of you know will know best as 'Prince Humperdinck' from The Princess Bride, and James Hong, who was 'Lo Pan' from Big Trouble in Little China.

The soundtrack by Mark Mothersbaugh helped with the nostalgic action feel.  At times sounded like it was copying Mission Impossible or Lethal Weapon.  The end credits sounded like Predator theme.  Whether that was intentional or Mothersbaugh isn't that creative I don't know.

Safe isn't breaking any new ground in the action genre.  It's actually pretty dumb, but it's dumb fun.  Even if you aren't a huge fan of Jason Statham, Safe is an entertaining action flick that you can just shut your brain off, watch and move on after.  If you are a fan of Statham, then I think you'll be pleased as this is a step up from some of his more recent efforts.  This will likely be out of the theater soon, so I wouldn't make a huge effort to see it, but if you wait a month or two and catch it on a rental, I think you'll enjoy it quite a bit.

3 (out of 5) Death Stars