Dope (2015)

It's funny that a movie about a group of geeks fixated on 90's hip-hop culture are in a plot that also feels like something out of the 90's. You know, where a group of nerdy kids somehow get mixed up with the scary drug dealer and then spend the rest of the film trying to make everything right. It sounds kind of dumb when you look at it that way, but trust me, Dope is a much better and smarter movie than that.

Newcomer Shameik Moore carries the film as Malcom. He's an easily relatable character and you root for him from the first moment you see him. He's not a typical kid from "The Bottoms". He obsessed with 90's hip hop and culture, gets good grades, likes stuff like Lord of the Rings and Dungeons and Dragons, and plays in a punk band. Much of Malcom and friend's interests are deemed "white shit" (which I thought was hilarious) by the other kids at school, and they are picked on constantly for it.

Aside from Moore, the whole cast is great, particularly Blake Anderson and Zoe Kravitz. Anderson is mainly there for comedy relief, and he delivers, while Kravitz is a love interest for Malcom. This might be the sexiest I've seen Kravitz play before.

Without getting too much into the plot, I think the biggest takeaway point this film makes is that don't be too quick to make a snap judgement about a person because of their color or where they're from. When you lump someone in a group because of some characteristic, you sell them short. The narcissist in me points to when people label me a meathead cause I workout, but I'm probably one of the biggest geeks you'd ever meet. If you just judged me on my appearance, you'd never know that, just like if you just assumed a black teen from Inglewood was a punk or gangbanger, you'd also be wrong. This is a point Dope slams home at the end, and it's a better movie for it.

There's also some great editing, particularly when they 'rewind' to show you what happened to another group while they were away. It feels like something you seen before, but it just works better here.

While it's an extremely funny movie, director Rick Famuyiwa always manage to keep that threat of violence that exists in their world. More than a few times you are genuinely scared and concerned that these kids might not actually make it out of this mess. It gives the film a little more weight, where in lesser films like this you know that nothing is really going to happen to the characters.

Dope, simply put, is dope. This is one of those smaller films that's smart and funny, while giving you a different point of view. Highly worth a matinee, but at the time I'm writing this, I'm guessing it's likely going to be out of theaters for most of you.

4 (out of 5) Death Stars

Mad Max: Fury Road (2015)

It's basically a two hour car chase wrapped in a slick music video (with a little bit of the Man of Steel soundtrack thrown in). At times Fury Road feels like some kind of fever dream or drug trip. A campy B-movie done extremely well. It felt very much like something born out of the 80's.

If you're looking for story or character development, you won't get that here. This is all crazy action from the get go and it never lets up. I was tense in my seat for a majority of the film. You'll notice that despite the speed of it all, you can follow all the action. It's shot extremely well, with no shaky cam or quick cuts. There were a few times there seemed to be some artificial sped-up effect going on, but that was kept to a minimum.

There's also great stunt work here, and it's so refreshing to see what appears to be all practical effects. This isn't a CG-fest. It's a gorgeous film, with great use of contrast in color. Fury Road is a visual feast, and it's mesmerizing.

As much as I was excited about Tom Hardy being cast as Mad Max, I just didn't get much from him. I felt the real driving force was Charlize Theron. She's a total badass! Expect a lot of cosplay as Furiosa in the future. I also thought Riley Keough stood out, but that might have been how her hair and eye color popped on screen.

I think the story issue for me is that the whole post-apocalyptic, 'we're out of oil/gas' thing doesn't work for me anymore. I think a more realistic story would be to have a future where while we are out of oil, Elon Musk has now seized control and is aligned or at war with Google.

Fury Road is highly entertaining and definitely worth seeing on the big screen, but for me it just lacked a little to really sink my teeth into. Honestly, I don't really see me watching it again. Maybe if I start doing drugs and need something to watch...

4 (out of 5) Death Stars

After Earth (2013)

Is the twist that M. Night Shyamalan and George Lucas are really the same person?

That's the thought that kept running through my head through most of After Earth.  It has many elements that reminded me of the Star Wars prequels: weird accents, flat characters, bad dialog, overreliance on CG, and it centers around an annoying teen you never really care about.  Is there a typical M. Night twist in the film?  If you count a totally predictable plot/character development that's telegraphed from the opening scene of the film, then yes.

After Earth takes place 1000 years in the future.  Humanity has relocated to another planet outside the solar system called Nova Prime.  While on Nova Prime, they encountered an alien force that operated on sensing human pheromones, especially fear.  Cypher (Will Smith) was able to defeat these aliens, as he has no fear, so he's effectively blind to these aliens since he doesn't give off any fear pheromones.  This is all explained in the first five minutes with a really awful narration delivered by Cypher's son Kitai (Jaden Smith).  What makes it awful is that he's speaking with a weird, made-up accent that made it very difficult to understand what he was saying at times.  The other characters in the film spoke with it as well (Will Smith's seemed to disappear as the movie went on).  It was a totally unnecessary detail thrown in the film that added nothing to the story, other than make it harder to understand the characters.  It's odd that they even spent so much time creating an accent for this society (even though they are from Earth), and desigining all of these cites when they spend maybe five total minutes on this planet.

Cypher and Kitai don't have much of a relationship, so his wife (Sophie Okonedo) urges him to take Kitai along on a routine mission.  The ship is damaged in flight, however, and they are forced to crash land on Earth.  Coincidentally, Cypher and Kitai are the only two survivors.  Their ship is beyond repair and Cypher is hurt and cannot move.  Kitai must get to the tail section of the ship to activate an emergency beacon, but it's several days away.  Earth is a much different and dangerous place since humanity left it, but if Kitai follows Cypher's instructions he believes they will succeed.

That's pretty much all there is to the story, which is a problem as it slugs along.  It's never very exciting or even all that interesting.  We're forced to follow Kitai as he continues to disobey his father's direct orders for no reason.  He even falls asleep at crucial moments.  Part of the problem is that Jaden Smith is just not a strong or charismatic enough actor to carry the movie in the first place.  It's worsened by the fact that his character is written as a typical, annoying teen.  Plus, he always looks like he's about to cry.

If you think his Dad could save this, he doesn't.  In fact, Will Smith barely even feels connected to the film.  Since he can't move, he spends the entire film sitting in a cockpit delivering instructions through a communication device.  If this was supposed to be a movie about a father and son bonding, it would have been more effective to keep these two together for the duration of the adventure.  There's no connection or chemistry between the two as a result.

The CG was terrible.  Most of the creatures looked completely fake, and was of the quality you'd expect to see on an original movie on SyFy.  The main threat not only had a bad design where you can't tell its head from his ass, but it does that thing I can't stand where it moves so impossibly fast that there's no way anyone would last in a fight for more than two seconds against it.  It's as if the CG was almost an afterthought, and then I find out that when Will Smith came up with the story for this, it wasn't even originally conceived as a sci-fi film.  In fact, the title itself is misleading as this could have taken place anywhere, or at any time.  It didn't need to be in the future, or even on Earth.  It could have taken place in just a random forest for all it mattered.  It's like Smith, Shyamalan, and co-writer Gary Whitta randomly decided to set in the future simply because they thought it would be cool.  Plus, they could pump up the budget with unnecessary CG.  Instead, they created a world that we're all totally detached from, when it could have been an uplifting stroy about a father and son.

After Earth is a boring, lifeless, uninspired sci-film that seems to serve only as a vehicle to push Jaden Smith on us again.  It also shows us that M. Night Shyamalan is completely out of gas as a director.  This was not worthy of a release during the Summer blockbuster season.  Skip this one.

1.5 (out of 5) Death Star