Didn't I just see this film earlier this year? Yes, the movie studios are at it again. Seems like once a year (sometimes more), studios race out two similarly themed films, whether it's asteroids, volcanoes, or some various disaster. This year is "White House under siege" films.
This entry in the category stars Channing Tatum as John Cale, a military veteran now working on a security detail for the Speaker of the House (Richard Jenkins). He's the classic character where he's had issues with authority, and has never realized his full potential. Wanting to make some changes and improve his life, he interviews for a Secret Service position at the White House, and takes his daughter Emily (Joey King) along. Why would he take his daughter, you ask? Well, they don't have a great relationship (shocker!), and it turns out she's a junkie for politics, so he figures the trip to the White House might begin to repair their relationship.
While on a tour of the White House, a group of mercenaries take over, killing all of the security forces and taking the remaining people as hostage. One difference here is that this time the threat is a domestic force, rather than a foreign one. It's not clear what they want, and even the mercenaries all seem to have different ideas of what the end goal is.
John is able to get loose in the White House and starts picking off some of the mercs. He eventually finds President Sawyer (Jamie Foxx, yes you heard that right), and attempts to get him to safety. John can't leave without his daughter though, so now you have the two of them running around simultaneously trying to escape, evade bad guys, and attempt to rescue John's daughter.
Olympus Has Fallen...er, um, I mean White House Down features just about every action movie cliche you could pull out of a hat. At times the story has way too much going on, too many subplots, and wraps them up way too neatly and quickly at the end. Every twist is telegraphed, sometimes simply by the people cast in the roles. The second you see Jason Clarke as a someone that's there to install a new sound system in the White House theater, you know he's really up to no good. You can't cast James Woods as the head of the President's Secret Service detail without that leading to something. Don't worry, I'm not spoiling anything. This all plays out very early in the film.
Here's the thing though: I actually had a lot of fun watching White House Down. Once the action gets going, it doesn't let up for an instant. There are great action scenes throughout the film. Director Roland Emmerich seems to have a knack for high-octane action that's so silly you can't help but still have fun with it. I'm not even sure if the overall silliness of some of these scenes is intentional or not. My favorite scene of the film features a chase on the White House lawn, where it basically looks like several cars doing donuts. It's ridiculous and hilarious, and everyone seemed to be having a good time with it.
The tone of White House Down is drastically different from Olympus Has Fallen. Where Olympus Has Fallen has some very brutal violence, and overall more serous tone, White House Down seems to go out of it's way to throw one-liners at you at every opportunity. Some work, some don't, and there's some pretty cringe worthy dialog at times. I'll give writer James Vanderbilt credit for trying either way.
This film could have been edited better though. Despite all the action, there are a few lulls here and there, and there's really no reason for this to be almost 2 hours and 20 minutes.
Channing Tatum manages to pull off another decent lead in an action film. I was a little iffy on him as first as his character seemed to be a little too much of a screw up for his own good, but once the action gets going, he carries himself well. Jamie Foxx is playing it pretty straight here, so he's not able to be as funny as we know he can be. He might have been trying a little too hard to be presidential though. The supporting cast is surprisingly strong, actually too strong for what they're given to do. Maggie Gyllenhaal outclasses the material here, as well as Agent Broyles (Lance Reddick). I really hope Reddick hasn't fallen into being type cast as "stern, military/law enforcement guy". Lastly, I was really impressed with Joey King. I've only seen her in a few small roles, but she really gets a chance to stretch here, and I think she's a young actress that's going to be one to watch for a while.
One weak part was John's ex, played by Rachelle Lefevre. She's playing it way too calm and emotionless for the situation they are in. I would expect a mother to be crying and screaming her head off the whole time knowing her ex-husband and daughter are inside the White House as all these explosions are happening around her, but she's way too calm. It really stood out to me as odd.
White House Down is a dumb, cliched action film. However, there are some great, crazy action scenes, and the film manages to be fun and entertaining. If you haven't gotten your action fix this Summer, give this a shot. If you go in with low expectations, you should have a good time.
2.5 (out of 5) Death Stars - Matinee-ish
Showing posts with label Jamie Foxx. Show all posts
Showing posts with label Jamie Foxx. Show all posts
Friday, June 28, 2013
Friday, December 28, 2012
Django Unchained (2012) - Movie Review
Bounty hunters, we don't need their scum.
A former dentist turned bounty hunter, Dr. King Schultz (Christoph Waltz), is in pursuit of a trio of slave trading brothers. He frees a slave named Django (Jamie Foxx), as Schultz believes Django can help identify the brothers. The unchaining and the adventure begins. Django and Schultz hit it off and Schultz takes a special interest in Django once he tells him the story of how he was separated from his wife Broomhilda (Kerry Washington). Schultz makes a deal with Django to become his partner in bounty hunting for the winter and then he'll set Django free and help him find Broomhilda.
I'm often reminded of another tale of a bounty hunter named Jango, who was a simple man just trying to make his way in the universe. I don't recall what happened to Jango, but I heard he lost his head over something a long, long time ago. I heard Samuel L. Jackson was somehow involved.
Back to the unchaining. They eventually track down Broomhilda, and learn she's been purchased by a plantation owner, Calvin Candie (Leonardo DiCaprio). They travel to his plantation, Candieland, to free her. I hear Candieland was located next to Chutes and Laddersville. Here's where the movie got a little odd for me, as their plan to free Broomhilda seemed needlessly complex. When their plan is uncovered Candie still agrees to sell Broomhilda and seemed more upset about their deception. I thought this was the one real weakness of Quentin Tarantino's story.
Another issue was the massive use of the 'n word'. I expected to hear it from time to time considering the period and subject of the film. I figured that's how slavers spoke, but it's said like every other second and by just about every character. I can see this being really offensive to some, especially when it's used for comedic effect. It was kind of shocking to hear it said, but then it's said so much that you almost become desensitized to it, which isn't a good thing.
The good news is that Django Unchained has that brutal, over-the-type violence you've come to expect from Tarantino. One of the things I really appreciated about this was the lack of CG blood. It just has a better feel and I have a more visceral reaction when they use blood packs, and believe me, they use a lot of them. It's the one area where I wish filmmakers would abandon use of computer animation. Tarantino also understands how to use the anticipation of violence to build tension. The longer the movie goes on, the more you keep expecting something to happen suddenly. There's a great scene near the end of the film with Leonardo DiCaprio where the whole time I was expecting something to explode.
You also get much of Tarantino's off-kilter humor throughout the film. Despite the overuse of the 'n-word', Tarantino is still a great dialog writer, which has always driven his films. There's great chemistry between all of the actors. Christoph Waltz is fantastic! In relatively short period of time, Waltz has become one of my favorite actors and I love watching how much fun he he's having with role. Dr. Schultz a flair for the dramatic, and you see he even has a code he follows. I was kind of worried that Jamie Foxx was going to be the weak link, but he played off Waltz well and I really enjoyed the character. I feared he was just going to try to play a bad-ass without any nuance about it, but turns out I haven't been giving him enough credit as an actor. Leonardo DiCaprio infused some life into the second half of the film with his awesome portrayal of Calvin Candie. He's a mustache-twirling villain if I've ever seen one. There's never a moment where you don't see that he's a sick, evil man. It's always more entertaining to watch a film when you can tell all the actors are really into their roles and having a blast with them.
It's interesting to me how a lot of Tarantino's films are tributes older film styles. He clearly wanted make an old fashioned spaghetti western, and at times that's exactly what it is, just with Tarantino's flair. I always look forward to seeing what genre or era he's taking on next. Another recent trend of his is that the length of his films are coming dangerously close to getting out of control. I didn't mind the length of Django Unchained, since I was entertained the whole time, but there were certainly scenes here and there that could have been removed or tightened up. At 165 minutes, it felt like he either needed to cut it down, or split it into two films like he did with Kill Bill.
Whether you're a fan of old westerns or Quentin Tarantino, you should enjoy Django Unchained. It's definitely a little too long, and some might find it offensive, but if you can get past that, it's a fun ride with great performances and the type of humor and violence you've come to expect from Tarantino. I strongly recommend checking it out.
4 (out of 5) Death Stars
A former dentist turned bounty hunter, Dr. King Schultz (Christoph Waltz), is in pursuit of a trio of slave trading brothers. He frees a slave named Django (Jamie Foxx), as Schultz believes Django can help identify the brothers. The unchaining and the adventure begins. Django and Schultz hit it off and Schultz takes a special interest in Django once he tells him the story of how he was separated from his wife Broomhilda (Kerry Washington). Schultz makes a deal with Django to become his partner in bounty hunting for the winter and then he'll set Django free and help him find Broomhilda.
I'm often reminded of another tale of a bounty hunter named Jango, who was a simple man just trying to make his way in the universe. I don't recall what happened to Jango, but I heard he lost his head over something a long, long time ago. I heard Samuel L. Jackson was somehow involved.
Back to the unchaining. They eventually track down Broomhilda, and learn she's been purchased by a plantation owner, Calvin Candie (Leonardo DiCaprio). They travel to his plantation, Candieland, to free her. I hear Candieland was located next to Chutes and Laddersville. Here's where the movie got a little odd for me, as their plan to free Broomhilda seemed needlessly complex. When their plan is uncovered Candie still agrees to sell Broomhilda and seemed more upset about their deception. I thought this was the one real weakness of Quentin Tarantino's story.
Another issue was the massive use of the 'n word'. I expected to hear it from time to time considering the period and subject of the film. I figured that's how slavers spoke, but it's said like every other second and by just about every character. I can see this being really offensive to some, especially when it's used for comedic effect. It was kind of shocking to hear it said, but then it's said so much that you almost become desensitized to it, which isn't a good thing.
The good news is that Django Unchained has that brutal, over-the-type violence you've come to expect from Tarantino. One of the things I really appreciated about this was the lack of CG blood. It just has a better feel and I have a more visceral reaction when they use blood packs, and believe me, they use a lot of them. It's the one area where I wish filmmakers would abandon use of computer animation. Tarantino also understands how to use the anticipation of violence to build tension. The longer the movie goes on, the more you keep expecting something to happen suddenly. There's a great scene near the end of the film with Leonardo DiCaprio where the whole time I was expecting something to explode.
It's interesting to me how a lot of Tarantino's films are tributes older film styles. He clearly wanted make an old fashioned spaghetti western, and at times that's exactly what it is, just with Tarantino's flair. I always look forward to seeing what genre or era he's taking on next. Another recent trend of his is that the length of his films are coming dangerously close to getting out of control. I didn't mind the length of Django Unchained, since I was entertained the whole time, but there were certainly scenes here and there that could have been removed or tightened up. At 165 minutes, it felt like he either needed to cut it down, or split it into two films like he did with Kill Bill.
Whether you're a fan of old westerns or Quentin Tarantino, you should enjoy Django Unchained. It's definitely a little too long, and some might find it offensive, but if you can get past that, it's a fun ride with great performances and the type of humor and violence you've come to expect from Tarantino. I strongly recommend checking it out.
4 (out of 5) Death Stars
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