Showing posts with label Tommy Lee Jones. Show all posts
Showing posts with label Tommy Lee Jones. Show all posts

Wednesday, November 21, 2012

Lincoln (2012) - Movie Review

I'm just waiting for the day when someone asks why Daniel Day-Lewis is on the five dollar bill.

Has there been any President that's been the focus of more films than Abraham Lincoln?  Is there any President more iconic?  Even if you're not a history buff, everyone knows the broad strokes of what he did.  So, how do you make a movie about him that's still interesting?  Well, you start by getting the best actor on the planet to play the lead role.  Then, you focus the story not on the fighting in the Civil War, but more on the man and his drive add the Thirteenth Amendment to the Constitution.

Based on the book 'Team of Rivals: The Political Genius of Abraham Lincoln' by Doris Kearns Goodwin, Lincoln gives us a look at the lengths he went to to ensure the Thirteenth Amendment passed in the House of Representatives.  He faced considerable opposition, and even if every member of his party voted yes, they'd still fall short of the two-thirds majority needed to pass it.  People were going to need some convincing, and Lincoln brings in a group of "negotiators" (James Spader, Tim Blake Nelson, John Hawkes) to sweeten the deal for those who's votes can be bought.  It's interesting to see that even back then you had these shady, back door political dealings.  The timing was also a factor, as the passing of the amendment would end the war, but if the South surrendered first the amendment would even be less likely to pass.  There was lots of talk about something called the Emancipation Proclamation which I'm not familiar with, because I don't listen to hip hop.  Yes, I'm kidding and quoting South Park.

Since the movie doesn't focus on any Civil War battles, Lincoln features lots of long conversations and meaningful looks at one another.  You might ask, why I would give Lincoln a pass for doing then when I slam movies like Twilight for doing the same thing?  It's mainly due to the strength of the performances, and the fact that what these guys are discussing is one of the most important things in American history.  It takes those strong performances to really feel the weight of it though.  You never lose sight of how important this was, and how much stress it brought them. There's a scene early in the film where Lincoln and Mary Todd are arguing, and he pauses for a few seconds before speaking. You can feel the weight of the world on his shoulders during this moment.

It's interesting when you compare this to Steven Spielberg's last Oscar-bait movie, War Horse, which was also a period piece.  While both films looked great and have the same attention to detail, the difference this time around is that besides the amazing performances, the score isn't as sweeping, and you're watching situations and characters that you actually care about.  It does have the same sentimentality, but I felt it was earned here.  War Horse got a best picture nomination despite nobody getting nominated for their acting in the film  That wont be the same case with Lincoln.

Daniel Day-Lewis gives an amazing performance, but that kind of goes without saying.  How many ways can you continue to describe how great an actor is?  In all seriousness, Lewis is so immersed in the role that you forget after a while what you're watching an actor, and you feel like you're actually watching the man.  If the real Lincoln was anything like what Lewis portrayed on screen, you can see why so many people were willing to risk their lives for him.  He's an Oscar lock at this point.  It's interesting to note that Liam Neeson was originally attached to the role, but dropped out because he said he had grown too old for the role.  I found that odd considering that Lincoln was 56 when he died, and Neeson is only 60.  It would have been interesting if he had stayed in the role, since the guy they played Lincoln in Abraham Lincoln: Vampire Hunter (Benjamin Walker) bears a strong resemblance to Neeson.

Not to be outdone was Tommy Lee Jones as Thaddeus Stevens.  He was even more passionate about abolition than Lincoln was, and he steals every scene he's in.  As much as I expect DDL to get nominated for an Oscar, I also expect TLJ to get nominated for Best Supporting Actor.  It's probably the most underrated performance of the year, and he already was fantastic in Hope Springs.

Sally Field was also great. She was very emotional, and was powerful when she stood her ground against their opponents. I wouldn't be surprised to see her name mentioned during Oscar time either.  The whole supporting cast reads like a "who's who" of top tier actors.  I can imagine there was a dogfight between these guys trying to get a role in the film.  I'm sure some of them agreed to any sized role just to be in it.  I wonder if casting director Avy Kaufman's phone ever stopped ringing.  There are so many great actors here that it hard to mention them all.

David Strahairn plays Secretary of State William Seward and really excels in the role.  If you're a fan of SyFy's Alphas, it's great to see him in a mainstream role.  James Spader also really stood out me after his eccentric role on The Office.  Then, you've got guys like likely Oscar nominee John Hawkes (for The Sessions), or Joseph Gordon-Levitt (playing Lincoln's son) with smaller roles. Even the under-appreciated Jared Harris shows up as the Fifty-Dollar Bill.  Oh, and Rorschach (Jackie Earle Haley) is here, too.  The supporting cast is stacked with stars.  It's kind of like when you look at roster for the Yankees or Lakers and wonder how they ever lose a game.

Oh, and how awesome must it be for Lee Pace to be in both Lincoln and Breaking Dawn - Part Two the same weekend?  I always thought he got a raw deal when Pushing Daises was cancelled, and I've been waiting for him to get some meatier roles. It looks like it's happening now.

Lincoln is a fantastically acted film that doesn't focus on the typical aspects of Lincoln's life or the Civil War.  For that reason alone, I enjoyed the film and was able to stay interested.  However, if you're looking for something that is a true biopic on Lincoln or focused more on the Civil War, you're likely to be disappointed. It's definitely worth seeing for the performances alone though.

4 (out of 5) Death Stars

Wednesday, August 8, 2012

Hope Springs (2012) - Movie Review

Okay, remember how I just said in my Total Recall review how August is a lame month for movies?  Well, it still is.  In fact, I call this month "Junior Varsity for movies", but sometimes movies come out that surprise you.  August will have some sleepers, and Hope Springs is one of them.

It's a very basic story.  Kay (Meryl Streep) and Arnold (Tommy Lee Jones) have been married for 31 years, and are going through the motions.  Kay cooks same breakfast every morning, he heads to work, and then comes home to dinner and watch golf until he falls asleep.  While Arnold is just fine with the status quo, Kay is concerned that things are headed in the wrong direction.  The magic is gone, and they've been sleeping in separate bedrooms for years.  Kay books a counselling session from Dr. Feld (Steve Carell) to try and repair the relationship.  Arnold reluctantly comes along, complaining all the way.

Once again, you have a movie where I feel like the trailer kind of misrepresents the movie.  While this is actually a dramedy, the movie is fortunately free of humor taken from silly or obvious jokes.  Nobody falls down for a laugh and there aren't any lame sex jokes or anything like that.  Sometimes the humor comes from just a simple look, or watching Tommy Lee Jones struggle through his frustration at the situation.  While you think the presence of someone like Steve Carell would signal a comedic role, he plays the role with a serious and calm demeanor.  You actually buy that he's this successful couple's therapist.  If he had spent the movie saying uncomfortable or inappropriate things, basically playing Michael Scott, the movie wouldn't have worked.

Despite the huge names playing the roles, you quickly forget who you're watching and actually believe that these two are a couple that's been together for decades.  There's nothing left to be said about Meryl Streep.  She's simply the best.  Tommy Lee Jones impressed me the most here.  He has such a surprising vulnerability, and you can see it with every close up of his face.  So much is said without saying anything.  I felt like I was watching a master class in acting.

After a while, you get this weird feeling like you're watching your parents or grandparents.  I'll have to warn you, there are some moments in the film where it might feel a little 'icky', like I would imagine how you'd feel if you caught your parents or grandparents going at it.  It's all relative though.  For some of you this won't be an issue it all, but younger audiences might get that feeling.  At the same time, I think the familiar feeling you get watching them is what makes this work.

Hope Springs was written by Vanessa Taylor, who's mainly written TV up to this point (including some episodes of Game of Thrones).  Her screenplay doesn't have any surprises, but the dialog and situations felt natural.  Joined with director David Frankel (The Devil Wears Prada, Marley & Me), they brought a movie that felt real and honest.  Honestly though, with these two actors, did he really have to do much more than just say 'action' and 'cut'?

Hope Springs is a nice change of pace from your typical Summer film.  If you like watching two great actors show a softer side, it's worth watching simply for the performances.  At it's heart, it's a sweet film about a couple rekindling their romance and remembering why they are in love.  I was pleasantly surprised by this and I think it makes for a nice date movie.

3.5 (out of 5) Death Stars

Sunday, May 27, 2012

Men in Black 3 (2012) - Movie Review

"Threequels" tend to have a pretty bad track record, especially when nearly 10 years has passed since the last film.  After the lackluster MiB 2, was anyone really demanding another?  There's a reason why it's been 10 years.  Anyway, the good news is that while not as strong as the original MiB, MiB 3 is a mostly entertaining, but flawed addition to the series.

An alien criminal, Boris the Animal, played by an unrecognizable Jermaine Clement (Flight of the Conchords), escapes a secret Lunar prison that contains the worst aliens out there.  Agent K (Tommy Lee Jones) imprisoned him back in 1969, shooting off one of his arms in the process.  Boris wants revenge, and plans to travel back in time, not only to kill Agent K, but do it before he loses his arm.  Making matters worse, killing Agent K in the past prevents him from deploying a defense grid around that Earth that would have stopped the invasion of Boris' people and led to their extinction.

Boris succeeds, but Agent J (Will Smith) is somehow able to detect the fracture in the timeline.  He also goes back in time to stop Boris and restore the original timeline.  The movie picks up once Agent J arrives in 1969.  Fortunately, the movie avoids using the 60's to make fun of the times or use a lot of lame fish-out-of-water jokes  There are a few here and there, but I felt they worked since they didn't overdo it.  It sticks more to the task at hand.

You meet the younger version of Agent O (Alice Eve), but she's really not in the movie much.  This also goes for the modern version of Agent O (Emma Thompson).  This is one of the missed opportunities of the film, as it is consistently implied that Agents K and O may have had a thing at some point, but it's never developed and it's a thread that goes nowhere.

MiB 3, starts off a little rough, with some really labored and stunted dialog.  I had heard that they went into filming without a story or script and it feels like it at first.  Speaking of dialog, Will Smith seems like he's been out of it a little too long, as much of his ad-libbed dialog seemed out of date by a decade or so.   You know, like when your Dad or Uncle tries to relate to you and uses slang that nobody says anymore?  It felt like that.  Will Smith was his typical, charismatic self otherwise.

There's a lot about MiB 3 that felt underdeveloped.  In the early parts of the film, it seems like they are going to get into K's history and his motivation a bit more, but then by the time the movie ends you realize that none of the questions that are setup in the beginning are ever answered.  You still know the same amount about the characters as you did before.

As much as I like Jermaine Clement, he wasn't given a lot to do as Boris the Animal.  He doesn't have much in the way of meaningful dialog and just speaks with a weird voice and laughs unusually.  I think he tried as hard as he could, but again, there wasn't much there.

The most inspired thing is Josh Brolin's portrayal as the young version of Agent K.  He does a spot-on impression of Tommy Lee Jones (who's also barely in the film, as if he didn't really want to be there).  The impression is so good that the first time I heard him do TLJ's voice, I thought it was a dub, rather than impression.  You really do start to forget that you're watching an actor do an impression and somehow are  looking at a younger version of Tommy Lee Jones.

Another thing I thought was really interesting was the character of Griffin (Michael Stuhlbarg), an important alien that has the ability to see the outcome of multiple timelines simultaneously.  It's a cool concept and they use it well.  He isn't introduced until almost the end of the film though, so again, it felt like something that was underused.  Bill Hader, as Andy Warhol, was also one of the funnier things about the film.

There are a lot of weird or inconsistent things in the movie.  At one point during a fight, a metal door comes off the hinges for no reason at all. You see an alien die only to the same alien alive in the very next scene.  There a bystander screaming during the same fight, only to be one of the people the MiB are fighting against.  Why are you screaming like you're helpless, but then attack later on when you lost your tactical advantage?  There are a few things during the climax that aren't consistent either.  You'll notice moments where the bad guy would win if would do something simple, but that's 'bad guy movie logic' for you.  Some of these flaws you don't really notice until after the fact, where others are totally obvious as they are happening.

Barry Sonnenfeld did a good job keeping the tone of the film light and mostly fun.  It doesn't fully capture what made the first MiB great though.  The script by Etan Cohen (Idiocracy, Tropic Thunder) is an improvement over MiB 2, but many of the jokes fall flat.  I'm surprised at all the missed opportunities here.  As mentioned earlier, you think you're going to get more character development, but it never happens.  There's a moment at the end that's thrown in to give the climax some emotional weight, but it felt forced in.

The strongest elements of the film are the overall look of the film and the effects.  The alien and creature design was excellent, but that's to be expected whenever the legend, Rick Baker, is involved.  I didn't bother to see this in 3D for a change, and I didn't feel like I missed anything.  It is a very nice looking and colorful film though.

Overall, MiB 3 is a enjoyable enough addition to the series, but as I've mentioned a few times, it seemed like there was a lot of wasted potential.  If you're a die-hard fan of the series, I think there's a lot you'll enjoy about MiB 3.  For those of you that are dying to see this or are all caught up on your movies, it's worth a matinee.  Otherwise, I'd save it for a rental.

3 (out of 5) Death Stars