Man of Steel (2013)

Kneel before him...

I was a little nervous when I heard that Zack Snyder's Man of Steel was going to be based around yet another origin story for Superman.  Even with David S. Goyer's writing and producer Christopher Nolan's involvement, I didn't think it needed to be told again.  Is there really anyone out there that has no familiarity at all with Superman's origin?  Even the recent "All-Star Superman" comic was able to beautifully summarize his origin in a single page.

This might have some minor spoilers, so be warned.  It's a lengthy review, so strap in...

Despite my reservations on another reboot of a well known superhero, I enjoyed the few twists and changes made to the origin told in Man of Steel.  Beginning on Krypton, Jor-El (Russell Crowe) warns Krypton's leaders regarding its destruction.  General Zod (Michael Shannon) stages a coup, and Jor-El uses the opportunity to launch a ship containing Kal-El and Kryptonian data to Earth.  Zod's coup fails, and he and his followers are banished to the Phantom Zone.  Kal-El lands on Earth, and well, you know the rest.

Superman's origin as told in All-Star Superman

Where Man of Steel differs is rather than give you a linear backstory, we catch up with Clark (Henry Cavill) as a 33-year-old wanderer, occasionally using his powers to save those in need before moving on.  We get flashbacks of Clark growing up and dealing with the manifestation of his powers, as well as his relationship with Jonathan and Martha Kent (Kevin Costner and Diane Lane).  Much of the film's emotional depth comes from these flashbacks, not just because they give you more insight into why Clark is who is, but because of the great performances of Costner and Lane.  Jonathan is convinced the world is not ready for Clark to reveal himself, and Clark has been spending much of his life trying to figure out what his purpose is and where he fits in.

Another departure from the Superman mythos was how Lois Lane was handled.  Lois, a journalist for the Daily Planet, is following a related story when she encounters Clark.  She investigates further, and is able to determine his true identity.  If you've ever been bugged by the fact that an investigative journalist never figured out that Clark Kent and Superman were the same person, then I think you'll really enjoy this twist.  She even actively protects his identity once she realizes the threat to him and his family.  Amy Adams was an inspired choice for Lois as well.  She had the right combo of smarts, maturity, toughness and ambition for the role.  The movie shines every time she's on-screen.

Zod eventually catches up to Kal-El and the promise of a super-powered smackdown between multiple Kryptonians is finally realized.  If you're like me and complained that Superman Returns didn't have enough action, Man of Steel makes up for that, and then some.  The last 40 minutes of the movie is all action, and it's the type of spectacle you hope for in an action blockbuster.  There's so much action, that it's a little exhausting to watch, but I still enjoyed every minute of it.  It was a joy to see Superman fly around and punch people at super speed.  The effects are fantastic, and there were only a few times where I thought the characters had too much of a CG appearance to them.  They are really getting the look of this stuff down!

Man of Steel is not perfect though.  I thought some of the things it does with the powers regarding atmosphere were a little odd.  Also, I was kind of bugged that the other Kryptonians seemed to be as powerful as Superman.  Superman has been absorbing solar energy for decades, as opposed to days for the other Kryptonians.  While he does show a greater mastery of his powers, I still think he should have had a bigger advantage as far as overall strength, while the Kryptonians should have had an advantage with combat skills.

Another issue I had was that the dialog isn't particularly good.  There's not a ton of dialog in the first place, but some of the lines are really clunky to the point where you'll hear something said and just go, "Huh?"  It definitely could have used a little punch up, as the film is so serious from beginning to end.  There's really much in the way of humor, but I also appreciated the fact that it wasn't silly.  I'm surprised that David S. Goyer didn't find more of a balance in his screenplay.

As much I loved Michael Shannon as Zod, I was a little disappointed he didn't get to have a great line that can be associated with his performance.  We don't even get a 'kneel' reference.  On the other hand, Zod's henchman, Faora (Antje Traue) was totally badass and sexy.  I wish there would have been a little more depth to her character though.  It was awesome to see someone hold their own against Superman like she did.

I also thought the romance between Clark and Lois wasn't handled well.  It happens way too quick without much in the way of flirtation.  I get them being attracted to each other, but it doesn't seem like there's any reason for them to get together other than convenience.  This is the one angle where the changes to the story didn't work as well.  Rather than see their relationship develop over time in the workspace, they are just kind of thrown together and it didn't feel natural.

I enjoyed Henry Cavill as Superman.  I said after seeing him in Immortals that I thought he had the right stature and commanding presence to play the Man of Steel, and I'm glad to see he proved me right.  First off, credit to Cavill and his trainer.  He clearly bulked up for the role, and physically speaking he's the best we've seen to date in the suit.  He's not playing the Clark Kent we're used to seeing, so there's not much of a true comparison to Christopher Reeve or even Brandon Routh's performances.  It's a different role as far as I'm concerned.  It's like comparing Michael Keaton's Batman to Christian Bale's.

The rest of the cast is strong.  I liked the choice of Laurence Fishburne as Perry White, but he's not in the film much.  They try to shoehorn a moment for him toward the end in an effort to give him something to do, and that felt a little odd.  I'm sure in the sequel he'll have a little more screentime if they spent more time at the Daily Planet.  Christopher Meloni as Colonel Hardy was good, and I also liked Ayelet Zurer as Lara Lor-Van.

Some will complain about all of the city-wide destruction and how Clark doesn't really appear to be too concerned about saving anyone, but that didn't really bother me.  While I would have liked to see him save a few people here and there, most of the time he's fighting multiple, super-powered people at once, and these fights happen at hyperspeed.  Man of Steel doesn't really show Superman as having full mastery of his powers yet, so it may not have been possible for him to avoid damaging his surroundings.  You don't see a lot of the Kryptonians directly threatening humans while he's around, so with the speed of the battles, his immediate surroundings might not have always been on the top of his mind.  Plus, he just put on the suit, so he's still growing into the role while attempting to earn the trust of humanity.  I would suspect we'll get more of that in the sequel.

Another thing I liked, and this will probably bug the Superman purists out there, was the fact that they show him conflicted.  I've read the comics off and on, watched the various cartoons and movies, and sat through all ten seasons of Smallville, and the one thing that's always bugged me about Superman is how much of a humorless, sometimes emotionless, boy scout he is.  I love the idea of seeing him start from a darker place and then eventually becoming that ideal.  Some will argue that I or the movie doesn't understand the character of Superman.  Okay, fine, go watch a different Superman cartoon or movie then.  In case you're wondering, I'm old enough to remember seeing Donner's Superman in the theater, and watch Donner's cut of Superman 2 frequently.  I like them all.

There's nothing post-credits, by the way, despite seeing online that there was supposed to be.  This was probably leaked by the effects crew that just wanted everyone to sit through the credits so we could see their names.  I didn't see it in 3D either, but since it wasn't shot in 3D you can go in knowing that's it's not going to add anything to the movie anyway.

Speaking of the visuals, this is another area where I thought the film excelled.  Man of Steel is gorgeous, and I'm not just talking about how dreamy Henry Cavill is.  Some shots may linger on a little too much, but I thought it was a vibrant film and creative looking.  You can always tell what's going on, even during the faster paced fight scenes.  I think Zack Snyder's style and aesthetic really lent itself to the film, and he even avoided his excessive use of slow motion, which I actually wouldn't have minded if he had thrown a little more of that in.  I'm probably in minority of people that enjoy just about all of Snyder's films.  I even like Sucker Punch on a certain level.  I loved the redesigned Krypton.  It looked suitably alien without being a direct copy or reference to previous films.  Also, the suit looked much better on screen than in photos.  The texture of the suit worked well, and I stopped noticing the lack of red trunks pretty early on.

Oh and I almost forgot to mention Hans Zimmer's score, which is hard to believe since he really outdid himself this time.  The score is practically a character all on it's own.  I've been listening to the full soundtrack on Spotify and I really love it.

While somewhat flawed, Man of Steel delivers on the promise of a Superman movie with more emotional depth, and the super-powered smackdown we've been waiting to see in the modern era.  Zack Snyder and co gave us a Superman that's more relatable and realistic for our time.  It would have benefit from a little more humor, but this is made up for by the cast and their performances.  I anxiously await a sequel.  Full price for me.

4.5 (out of 5) Death Stars

(Note: Was originally a four Death Star rating, but I just got back from seeing again and loved it even more, so I'm bumping it half a point.)

Mud (2013)

When I hear, 'My name is Mud', I can't help but that that damn Priums song out of my head...

I love Jeff Nichols.  Take Shelter was one of my favorite films from 2011, and if you haven't seen it, I strongly recommend seeing it as soon as possible.  Take Shelter starred the always awesome Michael Shannon, so I was excited to see that Mud also featured him.  Unfortunately, while his scenes are noteworthy, Shannon fans are going to leave disappointed, as he has a very small role and is really in only two or three scenes in the whole movie.

Instead, Mud focuses on Ellis (Tye Sheridan) and Neckbone (Jacob Lofland).  Seriously, is there a better name than 'Neckbone'?  They venture out in their spare time to recover a boat that has been stranded in a tree after a flood.  Right away, you get a very Stand By Me vibe from the film, both in the look of the duo, as well as their motivation.  Upon finding the boat, they find that someone's been living in it.  They meet the inhabitant, who simply goes by Primus, eh...I mean "Mud" (Matthew McConaughey).  Mud has an almost ghostlike appearance seemingly appearing and disappearing instantly.  He's a mysterious guy and all, and there's dark past that is later revealed.

The boys and Mud bond, and learn that he's waiting for an old love of his, Juniper (Reese Witherspoon), to meet him.  The boys see an attractive girl arrive in town and figure that it's Juniper.  They agree to help Mud, setting things in motion.

One of the things the really struck me about Mud was the overall look of the film.  You get such a view of the town that you really feel like you're part of it, and you're almost depressed by it.  The town and houses they lived in were so run down that I couldn't imagine why anyone would want to live there, yet they have a pride in it.  This is another movie that feels like it's set in the recent past, but you really can't tell.  Not that it matters, but nobody has a cell phone, or even a cordless phone in their homes.  Based on the cars seen, this looks like it was set in the 80's or perhaps set in a town stuck in the 80's.  This is a town where people still have names like 'Mae Pearl' (Bonnie Sturdivant).

Another thing I liked about the look is that the scenes where they visited Mud on his island, had a very bright, almost ethereal quality about it, as if the island itself was in another universe entirely.  There's a coming of age aspect to the story that was very interesting to watch play out.

Matthew McConaughey continues his streak of great performances.  Talk about a massive career turnaround.  He went from a guy that just a few years ago was becoming a joke, to being someone that has turned in a string of great performances in smaller films, and is now someone that I look forward to seeing in anything.  He continues his streak here, and there's a charm about Mud that even though you aren't sure about his true intentions, he seems like a genuine enough person that really cares for these kids.

It's another film where the kids are not a weak point either.  Both Sheridan and Lofland turn in very strong performances, and the chemistry between the two is natural and funny.  I mentioned Stand By Me earlier, and I even saw a little bit of River Phoenix in there.  Tye Sheridan was great as Ellis!  He has a good character arc, and you get a glimpse into the man he's going to become and know he's going to be okay.  Sheridan is going to be one to watch in the future.

If there's any real problem with the movie, it's that it's a little too long.  I know I sound like a broken record when I complain that a two hour movie is a little too long, but the issue this time is that there's a very obvious MacGuffin shown in the first act, so the whole movie you know it's coming.  When it finally comes to pass, I even heard someone sitting behind me tell his date, "Tell me you didn't see that coming."  When you have two-plus-hour movie, it's not the greatest thing to have such a telegraphed event in your film.  It was also resolved somewhat quickly, and was kind of thrown out by the time the actual 'explosive' conclusion happened.  It just pains me because this is a 5 star movie if it was about 15-20 minutes shorter.

Now despite the length, it's pacing is good.  It reveals more and more about the characters gradually, and you're never disappointed as you learn more.  The way the movie plays out, you're continuously invested in the characters and their stories.  The supporting characters and the performances by Sam Shepard, Sarah Paulson and Ray McKinnon (as well as Michael Shannon) fill out the story and keep you invested even when the focus isn't on Mud or Ellis.

Mud manages to be a sweet film without being overly sappy, and is easily one of the best films I've seen in 2013 so far.  Bolstered by strong performances from Matthew McConaughey (did I just say that...again) and Tye Sheridan, it's a movie that has a strong coming of age story that still feels like an authentic slice of the South.  Jeff Nichols continues to be one of the best directors the mainstream hasn't heard of, but that isn't going to be the case if he keeps making great movies like this.  If you're looking for something as an alternative to the explosive, superhero action of Iron Man 3 this weekend, then this is your best bet.

4 (out of 5) Death Stars

Premium Rush (2012) - Movie Review

I need to start riding my bike more.

I was a little worried about seeing this. First, it's a late-August movie, and with a name like Premium Rush, you might think this was a movie about surfing or a new flavor of Mountain Dew. Even when a movie stars two of my favorite actors, The JGL and Michael Shannon, you have to wonder if this is just a late-summer paycheck. Actors have to pay their mortgages, too. Plus, the trailers didn't really look all that compelling. I mean, it's a movie about a mike messenger getting chased all over.

Fortunately, Premium Rush is an entertaining film. It's a throwback movie if there ever was one. Veteran director and co-writer David Koepp managed to take a pretty basic premise and turn it into a fun, fast-paced thriller.

The title does serve as a double meaning, as it's both a reference to rush delivery (actually mentioned by name in the film), and the rush you get from riding your bike at high speeds where the wrong move can get you killed. Wilee (Joseph Gordon-Levitt), a recent law school grad, has no interest sitting behing a desk all day or wearing a suit. He prefers to chase the rush he gets from riding, and makes a meager living as a New York City bike messenger. He has a philosophical view of his riding and enjoys the risk. He's such a purist that he rides a low tech bike with no gears or even brakes, because breaking gets you killed.  Wilee wouldn't have it any other way.  His fellow co-workers, and girlfriend Vanessa (Dania Ramirez), all think he's nuts and needs to slow down.  He's the best at what he does though.

A friend of his, Nima (Jamie Chung), contracts him to make a small delivery, but this immediately puts him in the cross hairs of Bobby Monday (Michael Shannon), who really wants what he's delivering.  Monday relentless pursues Wilee with the tenacity of a Terminator, and Wilee doesn't understand why he wants it so bad.

As far as thrillers go, you aren't going to get any real surprises here.  The story stays on it's bike path from beginning to end.  More is revealed through a series of flashbacks that show you the events leading up to now, but also give you a break from the action.  You do get a rush from the film, as it's extremely fast-paced and you get invested in what is going on.  Similar to what I said in my The Expendables 2 review, I left this movie wanting to dust off my bike and take it for a spin. I'm not going to be doing any of the crazy moves seen here though.  The bike stunts here are great, and the way some scenes were shot you do get a real feeling on the speed and danger of it all.

Another really cool thing they did is at times they'd show some scenarios where Wilee would have to map out his route or plan out which way to go when it looks like he was running out of room.  Then they show you how each scenario would have played out.  It's similar to stuff you've seen in Sherlock Holmes or even Next.  They don't overuse this, so it doesn't get old or feel like too much of a gimmick.  I thought it was a nice touch.

It's ironic that main character's name is Wiley, as in coyote (he even makes a joke about it), as he's really The Road Runner being chased around.  He's always narrowly escaping, while pulling of moves that would get a normal person killed.  It felt like something you used to watch on Saturday morning. In addition to being chased by Monday, Wilee is also pursed by a bicycle cop, and harassed by a co-worker, Manny (Wolé Parks), who not only wants to prove he's better than Wilee, but he wants his girlfriend, too.

Speaking of his girlfriend, that's one of the elements that felt forced here.  From the opening moments, there's conflict between Wilee and Vanessa, and it just felt thrown in to add drama. They do a really weak job of explaining why they are having issues, and by the end everything is fine again without any discussion between the two.  Also, the way some of the characters were related to each other was a little clunky.

What makes this movie stand out is that is does have a good cast and the performances are strong.  The JGL always delivers and this is no exception.  I absolutely loved Michael Shannon's performance.  His character is totally ridiculous, but he's so completely over the top and corrupt that it was just fun to watch.  It's the kind of role where I don't think a different actor would have been able to pull it off.  I also enjoyed Wolé Parks as a foil for Wilee.  He's another character that could have felt thrown in there and unnecessary, but it worked.  Former The Daily Show correspondent Aasif Mandvi has a small, but funny role as the dispatcher for the messenger service.

After I saw The Apparition a few days ago, another moviegoer expressing his disappointment in that movie simply said, "I should have gone to that bike movie instead."  Yes, we both should have.

Premium Rush is fun film with lots of great action, some unexpected humor and good performances.  If you've ever wondered a Road Runner cartoon acted out by humans looked like, this would be it.  It caught me by surprise and I enjoyed it.  It's a nice movie to catch if you're bored this weekend and just want something fun to watch.  Totally worth a matinee.

3.5 (out of 5) Death Stars