Showing posts with label Michael Stuhlbarg. Show all posts
Showing posts with label Michael Stuhlbarg. Show all posts

Wednesday, September 30, 2015

Pawn Sacrifice (2015)

Let's see what we have here. A movie about a guy with deep mental health issues, who's also a master at a game I've never been particularly interested in, or even played (honestly, I think I've played chess once in my life). Sounds perfect, right? Also, and maybe this is just me, or hasn't there already been a good amount of movies about Bobby Fisher? Well, fortunately Pawn Sacrifice a movie that's still interesting enough even if you know nothing about Bobby Fischer or chess.

As far as biopics go, it's pretty standard as far as how it's setup and plays out in the beginning. You get some glimpses of the man Fischer is going to become and the issues facing him, Where is gets interesting is once we advance a few years to where he's an adult trying to become the best chess player in the world. You get a view of a very disturbed man dealing with worsening mental health. An interesting thing they hint at, but don't dive into enough for my liking, is whether or his disturbed mind is what made him so great at chess, or does trying to master the game slowly drive you mad. Does it simply attract that type of person?

It's also a little frustrating to watch as his paranoia makes him harder to deal with and pin down. His friends try their best, but there's only so much they can do. Pawn Sacrifice also plays up the US vs. the Soviets at the height of the Cold War. It seems as if they weren't sure what kind of movie they wanted to make, so they just threw a little bit of everything in there. The film could have used some focus. Oddly enough, they spend almost no time at all explaining the game or the rules of these chess tournaments, but I get the feeling that's probably a good thing.

Tobey Maguire was pretty great. It may be his finest performance to date. I honestly can't thing of anything he's been better in. I also enjoyed Peter Sarsgaard and Michael Stuhlbarg as part of Fischer's team, watching how they take different ways of dealing with Fischer, while playing off of each other. My only real disappointment is that Liev Schreiber didn't have a more prominent role. More Ray Donovan is always a good thing. I thought he nailed a Russian accent though.

Pawn Sacrifice is a well-made, well-acted film that doesn't tread any new ground as far as biopics go. While there are some interesting ideas and threads, it suffers from too many of them, and ultimately plays it safe with all of them. Not bad, but nothing you need to rush out and see.

3 (out of 5) Death Stars



Tuesday, December 18, 2012

Hitchcock (2012) - Movie Review

A movie based on a book about the making of a movie.  If this loops on itself more, it'll create a singularity that will destroy us all.

Hitchcock is a behind-the-scenes look at the making of Psycho, a movie that starred Anne Heche and Vince Vaughn.  I'm kidding, of course.  That remake sure was a misfire, wasn't it?  I actually knew very little about the movie Hitchock going in, but I'm always up for a good biopic, especially when it's about such a fascinating person and iconic film.

We begin as Alfred Hitchcock is looking for an idea for his next film.  He wants to do something a little different, and thinks he's found it when he reads the book Psycho by Robert Bloch.  The studio, however, isn't too thrilled with his choice of project, so Hitchcock decides to take a risk and finance the film himself.  He's believes so strongly in the film, that he even has all copies of the book bought up, so that nobody would have the twists spoiled.  Even back then Hitchcock understood the value of no spoilers.  These days any asshat with a blog can spoil a movie for you.  Wait a second...

It's funny to me that a well respected director like Hitchcock didn't have full confidence from the studio when wanting to do a different project.  When you consider the crap that gets made these days, it blows my mind that he'd have difficulty getting a film made.  It also goes to show you how different the business is now.

Hitchcock is based on the book Alfred Hitchcock and the Making of Psycho by Stephen Rebello. From what I hear, it's a fantastic and extremely well researched book that I'm going to have to pick up after watching the film.  Despite being based off such a well respected book, the movie version of it felt a little thin.  I think the problem director Sacha Gervasi (Anvil: The Story of Anvil), and writer John J. McLaughlin had was that they couldn't decide on what to cut from the film.  There's a lot going on, so you have a mix of the film being a little tonally inconsistent and lacking depth in a few key areas.  For example, you learn about his relationship with his wife Alma (Helen Mirren) and their difficulties.  This was an area I wish the film would have gone a little more in depth into.

There are some funny moments, but you never feel like they were making a comedy, and there isn't enough about his personality to come away thinking it's a character study. Throughout the film you see these exchanges between Hitchcock and Ed Gein, an actual serial killer that the character of Norman Bates was based on.  I wasn't clear what these scenes were meant to represent, so they felt odd and seemed like they could have been removed in favor of focusing more on the making of Psychoand Hitchcock's personality and relationships.

I find it a little ironic that a movie about "The Master of Suspense" contained very little actual suspense.  We all know how this is going to turn out.  It's not like we're getting an alternate universe were he's never able to complete the film, or it's a bomb.  It's still fun to watch it all play out though.

As you'd guess, the strength of the film are the performances. Anytime you get Anthony Hopkins and Helen Mirren as your leads, you know you're going to get a well-acted film.  Mirren is wonderful and you see how Alma was 'the woman behind the man'.  She would have carried the movie by herself were it not for the performance of Anthony Hopkins as Hitchcock.  It seems like kind of an odd choice to get someone so well known to play Hitchcock, but the makeup job is so good, that it actually took me a bit before I realized it was him.  I thought Hopkins was playful and it made me like Hitchcock all the more.  Scarlett Johansson plays Anne Heche...I mean Janet Leigh and I found her to be very pleasant.  Jessica Biel and James D'Arcy have very small roles as Vera Miles and Anthony Perkins.  You'll recognize much of the supporting cast and I was surprised to see people of their caliber play such small roles.  Even The Karate Kid shows up.

Lastly, I wanted to give a small shout out to my favorite theater The Vine (www.vinecinema.com) in Livermore.  They upgraded their screens and projectors just this past week, and boy what an upgrade! The film looked fantastic.  It was bright and clear, with HD quality that rivaled my 3D TV.

Whether you're a fan of Hitchcock, the movie Psycho, or just like a good behind-the-scenes biopic, there's a lot to like about Hitchcock.  I had fun with the film and enjoyed it, but couldn't help thinking there needed to be more.  You have great performances from the cast, but it only scratches the surface.  This isn't something you need to rush out and see, but I do think it's worth seeing.

3.5 (out of 5) Death Stars

Sunday, May 27, 2012

Men in Black 3 (2012) - Movie Review

"Threequels" tend to have a pretty bad track record, especially when nearly 10 years has passed since the last film.  After the lackluster MiB 2, was anyone really demanding another?  There's a reason why it's been 10 years.  Anyway, the good news is that while not as strong as the original MiB, MiB 3 is a mostly entertaining, but flawed addition to the series.

An alien criminal, Boris the Animal, played by an unrecognizable Jermaine Clement (Flight of the Conchords), escapes a secret Lunar prison that contains the worst aliens out there.  Agent K (Tommy Lee Jones) imprisoned him back in 1969, shooting off one of his arms in the process.  Boris wants revenge, and plans to travel back in time, not only to kill Agent K, but do it before he loses his arm.  Making matters worse, killing Agent K in the past prevents him from deploying a defense grid around that Earth that would have stopped the invasion of Boris' people and led to their extinction.

Boris succeeds, but Agent J (Will Smith) is somehow able to detect the fracture in the timeline.  He also goes back in time to stop Boris and restore the original timeline.  The movie picks up once Agent J arrives in 1969.  Fortunately, the movie avoids using the 60's to make fun of the times or use a lot of lame fish-out-of-water jokes  There are a few here and there, but I felt they worked since they didn't overdo it.  It sticks more to the task at hand.

You meet the younger version of Agent O (Alice Eve), but she's really not in the movie much.  This also goes for the modern version of Agent O (Emma Thompson).  This is one of the missed opportunities of the film, as it is consistently implied that Agents K and O may have had a thing at some point, but it's never developed and it's a thread that goes nowhere.

MiB 3, starts off a little rough, with some really labored and stunted dialog.  I had heard that they went into filming without a story or script and it feels like it at first.  Speaking of dialog, Will Smith seems like he's been out of it a little too long, as much of his ad-libbed dialog seemed out of date by a decade or so.   You know, like when your Dad or Uncle tries to relate to you and uses slang that nobody says anymore?  It felt like that.  Will Smith was his typical, charismatic self otherwise.

There's a lot about MiB 3 that felt underdeveloped.  In the early parts of the film, it seems like they are going to get into K's history and his motivation a bit more, but then by the time the movie ends you realize that none of the questions that are setup in the beginning are ever answered.  You still know the same amount about the characters as you did before.

As much as I like Jermaine Clement, he wasn't given a lot to do as Boris the Animal.  He doesn't have much in the way of meaningful dialog and just speaks with a weird voice and laughs unusually.  I think he tried as hard as he could, but again, there wasn't much there.

The most inspired thing is Josh Brolin's portrayal as the young version of Agent K.  He does a spot-on impression of Tommy Lee Jones (who's also barely in the film, as if he didn't really want to be there).  The impression is so good that the first time I heard him do TLJ's voice, I thought it was a dub, rather than impression.  You really do start to forget that you're watching an actor do an impression and somehow are  looking at a younger version of Tommy Lee Jones.

Another thing I thought was really interesting was the character of Griffin (Michael Stuhlbarg), an important alien that has the ability to see the outcome of multiple timelines simultaneously.  It's a cool concept and they use it well.  He isn't introduced until almost the end of the film though, so again, it felt like something that was underused.  Bill Hader, as Andy Warhol, was also one of the funnier things about the film.

There are a lot of weird or inconsistent things in the movie.  At one point during a fight, a metal door comes off the hinges for no reason at all. You see an alien die only to the same alien alive in the very next scene.  There a bystander screaming during the same fight, only to be one of the people the MiB are fighting against.  Why are you screaming like you're helpless, but then attack later on when you lost your tactical advantage?  There are a few things during the climax that aren't consistent either.  You'll notice moments where the bad guy would win if would do something simple, but that's 'bad guy movie logic' for you.  Some of these flaws you don't really notice until after the fact, where others are totally obvious as they are happening.

Barry Sonnenfeld did a good job keeping the tone of the film light and mostly fun.  It doesn't fully capture what made the first MiB great though.  The script by Etan Cohen (Idiocracy, Tropic Thunder) is an improvement over MiB 2, but many of the jokes fall flat.  I'm surprised at all the missed opportunities here.  As mentioned earlier, you think you're going to get more character development, but it never happens.  There's a moment at the end that's thrown in to give the climax some emotional weight, but it felt forced in.

The strongest elements of the film are the overall look of the film and the effects.  The alien and creature design was excellent, but that's to be expected whenever the legend, Rick Baker, is involved.  I didn't bother to see this in 3D for a change, and I didn't feel like I missed anything.  It is a very nice looking and colorful film though.

Overall, MiB 3 is a enjoyable enough addition to the series, but as I've mentioned a few times, it seemed like there was a lot of wasted potential.  If you're a die-hard fan of the series, I think there's a lot you'll enjoy about MiB 3.  For those of you that are dying to see this or are all caught up on your movies, it's worth a matinee.  Otherwise, I'd save it for a rental.

3 (out of 5) Death Stars