Showing posts with label Nick Frost. Show all posts
Showing posts with label Nick Frost. Show all posts

Tuesday, August 27, 2013

The World's End (2013)

Ah, so this is why they say you can't go home again...

Gary (Simon Pegg) returns to reunite his friends and complete the Golden Mile, a marathon pub crawl in their hometown.  Their first attempt over 20 years ago was met with failure, but this time Gary is determined that they'll reach the final pub, The World's End.  However, the gang has all moved on and a pub crawl isn't high on their list of things to do.  One of them, Andie (Nick Frost), doesn't even drink anymore.  The rest aren't too wild about Gary and the fact that he hasn't grown up at all.  The impulsive and talkative Gary manages to convince them though.  They hit a series of pubs before they start to notice that things are a little off since the last time they were in town, and then it gets weird.

I'm not sure how many of you have seen the trailer for The World's End, or if you're a fan of Edgar Wright and Simon Pegg's previous collaborations (which I've just learned is called the "Cornetto trilogy").  The reason I bring this up is that the movie takes a significant turn around the halfway point that I don't want to spoil, but anyone that's seen the trailer or is familiar with their previous work will likely be aware already.  I'm going to err on the side of not spoiling though and be a little more vague and a lot less wordy than usual.

Spoilers or not, it isn't going to ruin your enjoyment of The World's End.  Once things get going, it's a ton of fun.  If you aren't laughing at the situations they find themselves in, then the dialog will get you.  The thing I love about the Cornetto trilogy is not just how well written they are, but how it's clear that Simon Pegg and Edgar Wright love the genres they're riffing on.  There's so much attention to detail and subtle references to other films.  Even Paul, which was written by Pegg and Nick Frost, is full of sci-fi references.  Fans are rewarded with multiple viewings of these films, and I think The World's End will be no exception.  I was recently shown a clip from Shaun of the Dead where the opening scene brilliantly spells out exactly how the movie is going to go.  It's the kind of thing I didn't notice the first time, or even second time I watched it.  I've already heard about a few things from The World's End that I didn't pick up the first time around.

Another thing that makes these films stand out is that there's more to them than clever dialog or genre references.  Like some of the better Judd Apatow comedies, there are underlying themes that give them meaning and more to connect with.  As you learn more about the characters and what's really going on in their lives, you see what's really driving them.  People that aren't necessarily sympathetic at the beginning are by the end.

Much of the cast from the previous Cornetto films return or have small roles in The World's End.  From working so much together, they have great chemistry and play off each other like old pros.  They really do seem like genuine friends.  Rosamund Pike joins the cast to give it a jolt of estrogen.  I've always enjoyed Pike, but I really her taking a stab at comedy from the usual drama/thrillers she's in, and no, Johnny English Reborn does not count.

If you're a fan of Shaun of the Dead or Hot Fuzz, then you'll also love The World's End.  I'd say it's probably somewhere in between those two films a far as overall quality, but your mileage may vary.  Even if you aren't familiar with the Cornetto trilogy, there's a lot of fun to be had, and it's one of the better comedies of the year.  I strongly recommend checking it out, and maybe even getting a pint or two to really put yourself in the mood.

4 (out of 5) Death Stars

Monday, June 4, 2012

Snow White and the Huntsman (2012) - Movie Review

Early on in Snow White and the Huntsman, the Evil Queen stares into the magic mirror and says her famous line, "Mirror, Mirror on the Wall, who is fairest of them all?"  The CG-mirror comes alive and says, "You, Charlize, you're the fairest.  Duh!"  Then the movie fades to black and the credits roll.  Total running time: 7 minutes.  Okay, that isn't what really happens, but it would have been funny if it did.

This year we get not one, but two, updated editions of the Snow White story.  Just two months ago, we had Mirror Mirror (you can read my review here), and now we have Snow White and the Huntsman.  Where Mirror Mirror was a light and silly version of the story, Snow White and the Huntsman tries to tell a darker and more violent version.  Neither really deviates from the established story we're all familiar with at this point, so there's no need to go into the plot.

The good news is that Snow White and the Huntsman is a better movie than Mirror Mirror.  Like Mirror Mirror, it's a great looking film.  The set and costume design, along with the makeup and special effects are all top notch.  There are some great looking creatures and many interesting things to look at throughout.  However, while I appreciate the fact they tried to do something a little different, in a lot of ways it felt like this was just a Lord of the Rings or Narnia knockoff.  Don't get me wrong, I like they made a Snow White film that focuses on those fantasy elements and brings a little more action.  If their goal was to make a version that appealed to guys more, then I think they succeeded.

One of the cooler aspects of SWatH is what they did with the dwarves.  They cast regular-sized actors in the roles, but through the magic of special effects shrunk them down to size.  Many of them, despite being played by well known actors, were almost unrecognizable.  I had to watch the credits just to make sure I was right about a few of them.  Partially due to the quality of the actors playing the dwarves (Ian McShane, Ray Winstone, Toby Jones, Nick Frost, Bob Hoskins, etc.), they seemed more serious and less jokey than what we've seen in other versions of Snow White.  It's unfortunate they wait so long to introduce them, as I think we're well past that halfway point before they're brought in, but they end up being one of the stronger aspects of the movie.

Charlize Theron gives it her all as Queen Revenna, but I expected nothing less.  I've said it before, but it always seems like actors have more fun playing the evil character.  There's more to sink your teeth into and play with emotionally.  I do think Theron was just on the edge of overdoing it a bit, but she's still the most memorable performance.

I actually didn't mind Kristen Stewart for a change, despite my initial concerns that she had been miscast as Snow White.  I don't know if it was from the direction or her fixing some of her tics, but she certainly seemed to cut back on the excessive blinking and shivering that's plagued her other performances.  I coined the term 'chihuahua acting' a few years ago when describing what she always reminded me of.  I still wish her default expression wasn't an open mouth stare, as if she's a mouth-breather.  I thought she did a good job with the accent and emoting a little more, but I didn't find her character all that interesting.  She's just kind of there, but I don't really blame that on her performance.

Chris Hemsworth did a good job as the Huntsman, but I felt his character was a little one-dimensional.  In fact, I don't recall if they ever actually say his name during the movie other than call him 'Huntsman'.  Outside of the Queen, pretty much all of the characters seemed a little flat, and you don't really learn much about them.  Here's another movie where we have a trio of writers (Evan Daugherty, John Lee Hancock, and Hossein Amini), but somehow it all felt underwritten.

I think the lack of character development is magnified by the fact that the movie, at 127 minutes, is at least 20 minutes too long.  As the movie slugs along, these flaws are magnified.  We all know how the story is going to play out, so why stretch it?  This is where I think director Rupert Sanders let the movie get away from him a bit.  It's a good effort for a first time director though, and I'm sure he's going to get more chances after this to show what he can do.  Had he tightened the run time a bit, this would have been so much better.

Overall, Snow White and the Huntsman is a great looking and fairly entertaining movie.  It's flawed, but not so much that I left feeling disappointed or like I wasted my time with it.  It has a broader appeal than Mirror Mirror due to it's tone and action focus.  However, at PG-13, the dark and violent nature of this version might be a little too much for young kids.  I put this movie in the matinee range.

3 (out or 5) - Death Stars