Pitch Perfect 2 (2015)

First off, let me start by saying that I really enjoyed the first Pitch Perfect. However, I'm always a little leery of comedy sequels, especially when they come out so soon after the original. Is this a cash grab or do they really have a story to tell?

Unfortunately, Pitch Perfect 2 feels like something from the cash grab category. There just wasn't anything new here, just recycled material that was done better in the first. To illustrate, they didn't bother to expand on the existing cast, giving them even less to do this time around. Instead, they added more characters that also had nothing to do (with the exception of Hailee Steinfeld). Just look at the poster. See how the girl in the front looks a little off, like the scale and perspective doesn't match? It's as if she wasn't actually in the original picture and then they photoshopped her in. Her presence in the film felt about as photoshopped in. It also bugs me that the original antagonist is given almost no screen time, when he was one of the best things about the first. The only good addition was Keegan-Michael Key. He needs to be in everything.

It bugs me that they seemed to forget what made the first film so fun. They also forgot the core of the frigging movie. A capella means no music, something that was pointed out quite a bit in the first film, yet it's completely forgotten here. The first few performances were punctuated by a backing musical track, making it just a musical performance, not an award winning a capella group. I also find it weird that there's no stand out singer in the group. No, Anna Kendrick does not count. There's nothing wrong with her voice, but I don't see her as a powerhouse singer.

Then, there are things in the story that just don't make any sense. Like why does Beca have a secret internship? She's about to graduate, so it makes sense that she'd be trying to get some work experience, especially in the music industry (which seemed to be her goal even in the first film). Why the secrecy? If they're not thinking about the future, then why are they going to college? Just to hang out and sing? This does come out later in the film with pretty much the expected outcome (after they are mad at her first, for no legitimate reason). Oh jeez, I guess we need to move on with our lives. Duh! I hate when I see character behavior in film that isn't consistent with what I see in real life, or "drama" that could be avoided with a two minute conversation. Like it takes Fat Amy three years to figure out she's in love with Bumper. Really? Three whole years?

I'm curious as to why they'd hand the reigns to Elizabeth Banks to direct the sequel. Does she have directing experience that isn't on her IMDB page? Seems like a risky move and I don't think it paid off at all. They couldn't have paid a few extra bucks to bring Jason Moore back?

It's not completely terrible. There were at least a few funny parts, but it's definitely a big step down from the first. If you're a huge fan, I suppose there's enough here to warrant a matinee, but otherwise this is a rental, or even wait for streaming.

2 (out of 5) Death Stars

Pain & Gain (2013)

Let me get my pump on before I start writing this review...

...okay, I'm back.

Daniel Lugo (Mark Wahlberg) believes in fitness.  A bodybuilder and personal trainer in Florida, Daniel's grown tired of struggling and wants some of the good life.  After attending a seminar (from a very tongue-in-cheek Ken Jeong) that encourages him to be a 'doer', a plan is hatched to rob wealthy business man Victor Kershaw (Tony Shalhoub).  Daniel enlists two fellow bodybuilders Adrian (Anthony Mackie) and Paul (Dwayne Johnson) to help with 'the plan'.

Normally for a plan to work it has to be well thought out, and then executed by smart enough people that can improvise if things don't go as expected.  Neither is true here.  This is a crazy, stupid scheme carried out by meatheads even dumber than the plan.  The crazier part is that it actually works...for a while.  It also doesn't hurt their success that their mark was so unlikeable, and his story so unbelievable that not even the police are willing to help him.  Kershaw has to enlist a retired private detective (Ed Harris) to investigate, and even he doesn't take the job at first.

Pain & Gain is an example of one of those 'based on a true story' movies that falls under that 'it's so crazy it must be true' category.  However, this does take place in Florida, where it seems like every month we hear about some bizarre crime story taking place.  Throughout the film I oscillated between shaking my head at how unbelievable this all was, and then laughing out loud at it, whether it was intentional humor or not.

Usually when you see Michael Bay's name of film, you expect to see a lot boorish behavior, bad stereotypes and general shallowness.  That's certainly true here, but those were many of the things that actually worked.  Pain & Gain is probably Michael Bay's most self-aware work, and the story and setting were tailor made for his style.  They spend most of their time at the gym or by the pool, so you can expect to see a lot of skin and very attractive people, but it's not forced for a change.

It far from a great film though, and there are some flaws.  The main one being that it's a little too long.  I couldn't help checking my watch a little towards the end.  It wasn't out of any kind of boredom, but more that there are points where you think the film is wrapping up, but then continues on.  It could have been tightened up, especially where it focused too long on some of the supporting characters.

I was also a little annoyed by the camera work.  There's lots of typical Michael Bay slow motion and other jumpy camera stuff, but as the movie went on, it bothered me less.  I think all the frenetic movement helped sell the craziness of the story, and it wouldn't have been as entertaining if it was static.

There's also a ton of narration, and from every character.  This was very distracting at first, to the point where I was ready to start yelling at the characters to shut up, but this was also something that the movie grows into.  Much of this was done early on to provide depth and back story to the characters, but it was just a little clumsy in its execution.

Pain & Gain doesn't have quite as much action as you might think based on the cast.  This is made up for by the amount of humor in the film.  Again, some of this is unintentional humor where you just can't help but laugh at how stupid these guys are, but there's actually a lot of very funny dialog.  I'm sure the screenplay by Christopher Markus and Stephen McFeely in some ways kind of wrote itself.  How could you not get humor out these people and situations?  The dialog did have some additional punch to it though, and I found myself laughing way more than I expected.

I thought the trio of Wahlberg, Johnson, and Mackie were all great.  You never really have a reason to like any of these guys, and they'll all pretty despicable for the most part, yet their performances keep you interested.  I've often been hard on Mark Wahlberg for being too serious, but this recent focus on more humorous roles is really working, and thought he was great.  The real stand out, once again, was Dwayne Johnson.  His character is a ex-con, turned Jesus freak, but then reverts back to his cokehead ways as the film goes on.  It's a hilarious transition and most of the funniest moments and best lines are his.

What can I say?  Sometimes stupid works.  Pain & Gain is everything you'd expect out of a Michael Bay film, but this time he's in on the joke.  It's an unbelievable, but somehow true story, with great performances and just the right amount of humor to make it fun to watch.  This is a great one to catch with friends, and maybe have a few cold ones beforehand.  I give it a strong matinee recommendation.

3.5 (out of 5) Death Stars

Pitch Perfect (2012) - Movie Review

Who knew the world of a cappella singing was so competitive?  It would have been great to find out there was a seedy underbelly to this scene with back door deals, performance enhancing drug use, and betting on competitions.  I also didn't realize how many different spellings for a cappella there are.  Do a search and you'll see a capella, a cappella, acapella, acappella.  All seem to be acceptable.  Can someone make a definitive ruling on this?

First off, I have to confess that I really don't like Glee, and I'm not the biggest fan of karaoke.  Fortunately, Pitch Perfect has more in common with movies like Bring it On, than it does to Glee.

I normally warn about spoilers, and that applies here, but the main knock I have against Pitch Perfect is that it follows the same, extremely predictable formula you've seen a billion times before.  It's kind of hard to truly spoil the film, because you know exactly how it's going to turn out.  You can apply the formula to almost any teen/school/competition film.  The formula is:

• New person arrives at school and is a bit of an outsider/rebel.
• They are approached by a group, but has no interest in joining.
• Reluctantly tries out for group anyway and shows extreme talent.
• Butts heads with existing leader over the direction of the group.
• Leaves group over disagreement.  This usually coincides with a getting in trouble and screwing up with their love interest.  The love interest is usually someone they initially do not like, but realize later that they do.
• Makes up with group just in time to win the big event.
• Makes up with love interest.
• The End!

It's kind of ironic that it follows such a predictable format, as about halfway through a character states that she never finishes movies, because she gets bored and the endings are predictable.  I thought that maybe, just maybe, Pitch Perfect might do something really creative and have this killer ending that sets it apart.  Unfortunately, this didn't happen.

The outsider, Beca, is played by Anna Kendrick. You know she's a rebel, because she has tattoos and wants to be a DJ instead of going to school.  It's still kind of a tough sell with Anna Kendrick as she has the whitest and straightest teeth in the world, and she's just too damn cute to see her as an outsider.  It's interesting that Beca was difficult to root for at first.  Her goal in life is to drop out of college, even though she's going for free, so she can move to LA to become a famous DJ.  She's standoffish with just about everyone and pushes people away.  She fights with her Dad, who actually seemed like a fairly reasonable person, rather than some overbearing parent stereotype   He even makes a deal with her that he'll help her move to LA if she promises to give college a shot for a year.  Having said that, you eventually do come around to liking Beca, and I think that's due to the inherent appeal of Anna Kendrick.  She's just one of those actresses that's impossible not to like, but I would like to see her try something against type at some point.  I'm not sure if the actresses did all the singing in the movie, but if so, Kendrick has a nice voice and showed some talent beyond her acting chops.

The Bellas, an all female group, are recruiting new signers after a famous flame-out in a previous competition.  It doesn't seem that many people are interested in trying out, so they are basically stuck with a motley group of girls.  Again, it's a little cliched as they all have common sterotypes you've seen: the fat one, the sexpot, the lesbian, the super quiet one.  Even though they are tired cliches, they are at least likable characters and show some personality.

The Bellas primary competition are the Treble Makers, an all male group, led by a chewing-up-the-scenery Adam DeVine.  As they are The Bellas sworn enemy, romancing between the groups is forbidden by Aubrey (Anna Camp), the leader of The Bellas.  You know that forbidden romance will come into play later.  I enjoyed Anna Camp (from Season Two of True Blood) in the role.  She has a stubbornness that intimidates the rest of the group, even when they all know she's wrong.

The funny dialog and charming cast is what saves the movie from it's predictability.  It's consistenly funny, and they still manage to take some shots at the genre and have some fun with it.  Pitch Perfect is campy and doesn't take itself too seriously.  I even got a bit of a Clueless vibe from the movie, but that might have been because Donald Faison has a brief cameo (along with Joe Lo Truglio).  The script by Kay Cannon is snappy and witty, and it also reminded me of movies like Heathers or Mean Girls.  It's interesting to note that Cannon writes for 30 Rock, which is also written by Tina Fey, who wrote Mean Girls.  

Rebel Wilson really shines as "Fat Amy".  She steals nearly every scene she's in and looked like she was having a blast.  She isn't made fun of for cheap laughs, and her character actually preempts attempts to make fun of her weight, so it ends up being a stronger character.  Another highlight of the film are John Michael Higgins and Elizabeth Banks (who also produced) as the commentators for the a cappella competitions  It's a little reminiscent of Fred Willard from Best in Show, but they have some great banter between them.  Hana Mae Lee also has her moments as Lilly, a girl who speaks with a voice so soft that you have to be standing inches from her to hear, but you'd be shocked at the stuff that comes out of her mouth.  The entire cast comes off well, without any real weak link.

The singing itself wasn't bad either.  I appreciate a cappella a little more than karaoke, as there's at least some arrangement of the music and choreography that goes into it.  I was worried that were just going to get a bunch of bad remixes of tired songs, but some of it was catchy.  Pitch Perfect was based on a novel by Mickey Rapkin, who spent time following competitive a cappella competitions.  A few people from the a cappella community were brought in to assist with the song arrangements, so I think that helped with the authenticity.

Pitch Perfect was director Jason Moore's first feature and he did a good job with balancing the cast and keeping the pace of the movie consistent with it's almost two hour runtime.  I'd like to see Moore and Kay Cannon collaborate again on another teen/college comedy and mix things up a bit more next time.  It's a good first effort by both, but just a tad too formulaic.

I was actually dreading watching Pitch Perfect, but I ended up having some fun with it due to it's strong cast, entertaining performances, and smart dialog.  It's a light, but predictable, comedy that doesn't take itself too seriously and should appeal to a wide audience.  Give it a shot.

3 (out of 5) Death Stars

Bachelorette (2012) - Movie Review

Have you ever watched Bridesmaids and wondered what those girls would be like if they were bitchier and on lots of cocaine?  Bachelorette gives you a look at this world.

Four high school friends are reunited when one of them finally gets married.  Immediately, jealously starts to rear it's ugly head, as the others all thought they would get married before their 'fat friend'.  The only positive they seem to take from this is that it means they can have a bachelorette party.

Other than the actual bride, Becky (Rebel Wilson), it doesn't take long to figure out why the bachelorettes are still single.  Regan (Kirsten Dunst) is a Type A, pushy business woman, Gena (Lizzy Caplan) is a barely employable, druggie that sleeps around, and lastly Katie (Isla Fisher) is a ditzy girl that seems too dumb to function.  These girls call themselves 'B-Faces', which is short for 'Bitch Faces', a name they seem to have earned. Based on their self-absorbed behavior, one of the things I had a hard time wrapping my head around was how the bachelorettes were friends with Becky in the first place.  Their personalities don't seem to fit and these girls seemed like the type to make fun of her back in high school. Becky has grown up, but the others haven't.

Becky wants a low-key party, but the girls insist on partying it up and getting a stripper.  There's a incident with the stripper, and the bride and the rest of the girls go home, leaving the B-Faces to drink more, do lots of coke and complain about why they aren't married yet.  While screwing around, something happens to the wedding dress, and now they have to scramble to get it fixed before the wedding the following morning.  It's as if the movie knew we wouldn't be able to sit through 90 minutes of nasty girls drinking and doing coke, so they had to give them a goal.  Now we get to watch them run around frantically as they try to make things right.

Much of what you see in Bachelorette are cheap drug and sex related jokes that you've seen many times before.  There are some funny moments, but they were too infrequent to make up for the unlikability of the characters.  As the movie progresses, they try to show you that there's more to the bachelorettes, but the problem is that what I learned about them didn't make me sympathize with them more.  As I mentioned in my For a Good Time, Call... review, one of the things I enjoyed was how I could see myself being friends with those people.  In Bachelorette, I wouldn't want to know these people or hang out with them.  I was actually kind of surprised at how catty these girls were, and how willing and capable they were of stabbing their friend in the back.

What I could relate to was a wild bachelorette party and getting crazy, but think about all of the times you gotten hammered with friends.  It's funny to you, but you know how you tell someone a story that doesn't get a laugh and then say, 'Well, you had to be there.'  That's Bachelorette.

The positive I got from the movie was the good cast and the performances.  Kirsten Dunst continues her career renaissance playing flawed characters.  Lizzy Caplan is always great, but this is a role she can play in her sleep.  The same for Isla Fisher, who gets the majority of the laughs.  There's nothing wrong with either of their performances, but neither of them had to stretch much here.  Rebel Wilson seems to be a star on the rise as she continues to get roles in higher profile films, but she's more of a side character and doesn't take part in the festivities as the night goes on.  I realize the contradiction of liking the performances, but not liking the characters, but it was more that I didn't find them interesting or relatable.

Adam Scott and James Marsden are once again underused and these guys deserve better.  They are both on my "most under appreciated actors" list.

Written and directed by Leslye Headland, Bachelorette is a good idea, but it never quite takes off. I felt that the ending was too predictable and unearned, where they try to give everyone a happy ending and everyone learns a lesson.  A riskier, darker ending would have fit better with the tone of the film and been more satisfying, even if it wasn't a happy one.

Bachelorette isn't as funny as it thinks it is.  It tries to one up Bridesmaids, but it ends up being a less funny version of The Hangover.  It wastes a talented cast with tired jokes and bits, and then tries too hard to make you sympathize with characters that really don't seem redeemable. It's a rental at best.

2 (out of 5) Death Stars