Showing posts with label Maria Bello. Show all posts
Showing posts with label Maria Bello. Show all posts

Tuesday, September 24, 2013

Prisoners (2013)

The moral of the story is that you are so gonna get your ass kicked if you steal Wolverine's kid.

Keller Dover (Hugh Jackman) is a family man who runs his own carpentry business.  His family attends Thanksgiving dinner at the house of his neighbors, the Birch's.  After dinner, the youngest daughters of both families, Anna and Joy, take a walk back to the Dover's home, only they never return.  While looking for the kids, Keller's son recalls a parked RV the kids were playing on, but is no longer there.  When the police find the RV, they arrest the driver, Alex Jones (Paul Dano), but can find no trace of the kids.  Making this more difficult is that Alex has the intelligence of a 10-year-old, so getting any kind of useful information out of him isn't likely.

Not having any real evidence to hold Alex, the police are forced to let him go.  Convinced that Alex knows the location of the kids, Keller kidnaps and plans to torture him until he reveals where they are.  Meanwhile, the detective that's in charge of the investigation, Detective Loki (Jake Gyllenhaal), looks into every possible lead, even Keller.

Prisoners is a super intense film that had me on the edge of my seat throughout.  Hell, I jumped more times watching this than I did when seeing Insidious: Chapter 2, and that's a horror film.  I heard several gasps from those sitting around me.  The reactions from the audience added to the experience, and is why I love seeing movies like this.

I was a little nervous when I saw that Prisoners was two and a half hours long.  Considering the weight of the subject matter, I thought it might drag.  While I did notice the length in a few parts, overall it didn't feel like a two and a half hour movie.  It's barely 5-10 minutes into the film before the kids are abducted, and once that happens the tension escalates and never lets up.  Prisoners is also not bogged down with needless exposition.  For example, you get closeness of the Dover and Birch families without having to be told how they met or how long they've known each other.

Much like the characters, you'll go through a range of emotions and opinions throughout the film.  There are times you'll feel bad for Alex as Keller is torturing him, but then you'll think he's hiding something, so maybe this needs to be done.  Franklin (Terrence Howard) struggles with the morality of what they are doing to this guy, where his wife, Nancy (Viola Davis), goes along with it as a necessary evil to get their kids back.  Meanwhile, Keller's wife Grace (Maria Bello), has taken to medicating herself as she can't deal with it at all.  Even your opinion of Detective Loki will change.  At the beginning, he's a little cocky and seems like he's going through the motions.  He even does that patronizing, "Sir, what I'm gonna need for you to do for me is calm down", when dealing with the raw emotion of Keller. Then you see his own emotional investment in the case develop the longer he works on it.

However, the character I most identified with was Keller.  While his methods are extreme, I look at it from the angle of the father.  I don't have any kids myself, but I have two nephews roughly in the same age range.  If they ever went missing, I would tear the world apart to find them.  That's Hugh Jackman's Keller Dover, and I totally understood the lengths he was willing to go to get his daughter back.

Hugh Jackman may have been nominated for an Oscar for Les Miserables, his role in Prisoners is easily his best.  It's such a passionate performance that I couldn't help but get wrapped up in it.  As we're getting towards the end of the year there's already Oscar buzz about Prisoners and expect to see Jackman's name in the mix again.  While Jackman is going to get the lion's share of the buzz, I wouldn't be surprised to Gyllenhall's name thrown around, too.  The entire cast is fantastic and there isn't a weak link in the bunch.  Even Melissa Leo has a small role, and once again she proves to be chameleon.  I don't know what it is about her that I never realize she's in a movie until I see her name in the credits.

If there's anything about the film I thought was a little weak it was that there a bunch of red herrings, and it all wraps up a little too neatly.  Some of them are obvious from the outset, like when they go out of their way to mention that Keller has an old, abandoned building left to him from his father.  I wonder where he's going to hide Alex away?  Others are a little more subtle and don't pay off until much later.  It's a minor complaint though, and they weren't handled in a clumsy way.  I thought Aaron Guzikowski's screenplay was very smart overall.  I also have to applaud director Denis Villeneuve, not just for the pacing, but how balanced everything was.  Even how many shots were framed were very well done.

Prisoners is an emotional, haunting ordeal.  It's the kind of intense and disturbing that makes you feel like the film punched you in the gut after.  Despite the weight of the film, it features powerhouse performances that make this a must watch.

4.5 (out of 5) Death Stars

Wednesday, July 17, 2013

Grown Ups 2 (2013)

Wait, say that again?  There's a sequel to Grown Ups?

I was surprised as anyone the first time I saw the trailer for Grown Ups 2.  Did anyone actually like it?  I don't know anyone that does, but maybe that's because they're afraid of being Force-choked for admitting that in my presence.  Good taste aside, I guess the first made enough money because there's no way they'd make another one otherwise.

I guess the beauty of Grown Ups 2 for the studio is that it couldn't have taken more than a week or two to make, and the budget couldn't have been spent on much else than the actor's salaries.  I know they didn't spend money on writers or an editor.  Grown Ups 2 doesn't even have a plot.  Seriously, I defy anyone to watch Grown Ups 2 and tell me what it's about.  It's just a bunch of short sketches and gags.  I think this is what frustrates me about Adam Sandler and Co. so much.  With these guys being SNL alumni, you'd think this would be their strength.  Also, we've all seen guys like David Spade, Tim Meadows, Kevin James, Chris Rock, and even Nick Swardson be much funnier in their own standup routines, other movies and TVs shows.  Yet somehow combining all of these guys amounts to a bunch of lazy, uninspired comedy.  Is it that they don't care, have total contempt for the audience, or genuinely think this stuff is funny?  I can't help but watch Grown Ups 2 and think that if they had just put even a modicum of effort into the writing, then we'd genuinely have a funny movie on our hands.  I can forgive a lack of plot if the movie is hilarious otherwise.

A lot of the humor is based on things that simply can't happen in reality.  The opening scene is the one you see in the trailer where somehow a deer gets into the house and up to a second story bedroom without anyone noticing or waking up.  I guess it was a stealth deer.  This leads into a stupid pee joke that wasn't funny in the first place, but looked awful because they did it with bad CG.  They do this pee joke twice!  Why is this even in the movie?  They could have not put this in the movie and saved the money on the bad CG.  Cause F-you, that's why!

At least I didn't find the humor as mean spirited as in Sandler's more recent films.  However, if you aren't into poop, fart or throw up gags, then there's a lot you aren't going to like.  I'll admit there's a part of me that still can laugh a good fart or burp, so when Kevin James does his burp-sneeze-fart I couldn't help but chuckle a little.  I also got a giggle out of some of the various cameos sprinkled throughout the film.  The thing is a cameo isn't a joke by itself, and many are dependent on you even knowing who these people are.  Like if you don't recognize older SNL cast members, ESPN anchors, or lesser known comedians, their appearances will likely go unnoticed by you.

The rest of the film is lame fratboy humor, or making fun of characters that aren't aware they are the butt of the joke.  There's a running gag where Tim Meadows and family just go "Whaaa?!" anytime they are insulted.  There's no comeback, just "Whaaa?!"  It doesn't go anywhere, and it's a non-joke.  Lots of these scenes ended abruptly when it wasn't working.  It didn't seem to be working on the audience either as I heard muted laughter at most of these things.

As with all Sandler films, his obsession with the 80's continue.  We get our normal fix of 80's music, but the film ends with a 80's themed party.  I wonder who's idea that was?  It's just another lame reason to shoehorn more 80's references into the movie.  I love the 80's as much as the next guy, but this is gone way past being old.  Although I did think it was kind of funny to see Chris Rock dressed as 80's Prince.

Lastly, I'm glad they had the good sense to get rid of that scene about getting wasted and tricking the kids into thinking it had something to do with ice cream  "I'm wanna get chocolate wasted!"  Did a child actually write that?  Ugh...so much of this film is just cringeworthy.

Grown Ups 2 is lazy, uninspired, childish, unfunny and directionless.  If the name Adam Sandler wasn't on the top of the poster, I don't see how this film sees the light of day, let alone gets made.  The only reason I'm not giving this a zero is that I chucked a few times at the cameos and I haven't completely outgrown burp and fart humor.  There are some genuinely funny films in theaters right now.  Grown Ups 2 isn't one of them.  Don't pay to see this film in any format.

.5 (out of 5) Death Stars