Her (2013)

Do you like hearing people have awkward phone sex?  How about stories showing people falling in love with inanimate objects?  Do you like movies set in the future, yet everyone dresses like 1970's grandparents?  Well then Her is the movie for you!

Clearly I'm oversimplifying when talking about Her, as it's anything but a simple movie.  Her is one of those unusual films that oscillates from being brilliant to just plain weird.  This probably shouldn't come as a surprise to people familiar with writer/director Spike Jonze previous work, especially where Charlie Kaufman was involved.

Her is about Theodore Twombly (Joaquin Phoenix), who is currently going through a divorce with Catherine (Rooney Mara).  They had a long, loving relationship, but drifted apart and Theodore's having trouble letting go.  He buys a new, artificially intelligent operating system, mainly to help organize his life.  The OS introduces itself as Samantha (voiced by Scarlett Johansson), and explains how she's designed to grow and evolve.  As Samantha learns more about the world, they continue to bond and eventually develop an emotional relationship.

Based on the premise of the film, I was worried this was going to be another Lars and the Real Girl, which might as well been called "Entire Town Indulges a Sad Man with Mental Health Issues."  Fortunately, Theodore is more grounded than that.  He's actually a fairly normal guy, just a little introverted.  I still had a bit of an issue with someone falling in love with an AI, but after I thought about it for a bit, is it really all that different from a long distance or exclusively online relationship?  I've watched people have relationships where all the interaction was over the phone or at opposite ends of a keyboard.  Either way there's no physical intimacy.  Is that a requirement for love?  Who's to say that's not the direction we're headed.  Followers of my blog are probably aware of my dislike for online dating.  I share a similar dislike for long distance relationships.  I feel like some of the time it's a way of having an easy relationship where there's not as much at stake.  If things get too difficult, you can just end it without much complication.  This is actually a point brought up during the film, so I appreciated the fact they took this on.

Another interesting point Her made was how all of this technology is actually making us less connected.  In many scenes of the film, you see people walking around, talking into their PDA/phone devices, not even looking up at people immediately around them.  We see this all the time now where people stare into their phones, so zoned out that they bump into people, trip over stuff, or worse.  Recently, I was a bar and noticed that every single person sitting in the bar area was looking into their phone rather than interact with anyone around them.  Don't get me wrong, I've been guilty of this, but it's one of the reasons why I'm trying to move away from stuff like Facebook and Twitter.  It's great to be able to connect with people that live far away or you wouldn't have access to otherwise, but I think our future will be much better off if everyone steps away from their computers, puts down their phones, and works on interacting with those around them a little more.

There were a few little things I found distracting.  One of which was whatever Theodore's job was.  He's some kind of letter writing surrogate, but I never got exactly what he did or what the purpose was.  I didn't feel it was explained all that well, and normally I wouldn't have paid it any mind, but since there are a lot of scenes of him at work and interacting with co-workers (mainly Chris Pratt), it bugged me a bit that it wasn't clear.  Another thing that was too cute was the overall look of the film.  It's very 60's/70's styled with lots of reds and oranges.  People wore awful shirts, had unkempt hairstyles, and had those old man pants with the waistline just below their chest.  They even managed to make Amy Adams look frumpy, but not Olivia Wilde (could anything though?).  It was like hipsters take over in the future, which may be the most terrifying aspect of Her.  Lastly, at just over two hours, the film could have been tightened up a bit.  There were a few scenes that went on too long where the point had been made.  On the other hand, they play hilariously unusual video games and I wish I could have seen more of that.

Joaquin Phoenix was wonderfully nuanced.  As I mentioned earlier, you might want to write Theodore off as a weirdo, and he is kind of a dork, but Phoenix makes him sweet and very sympathetic.  He's searching for the same things we all are.  However, he blows it on a real date with Olivia Wilde's character when she was clearly into him, and that's unforgivable.  I was impressed with Scarlett Johansson's voice work, which had very cute sexiness about it.  I also enjoyed Amy Adams, but I wish she would have been in it more considering she was one of the few real-world friends Theodore had and they had previously dated.  I could have used a little more Rooney Mara, but I think that's due to the fact that I wanted to learn more about their relationship and why it failed.

Her is a smart, thought-provoking film that brings up some interesting ideas regarding love, intimacy and general interaction with people.  I can understand how it might be too strange for some, but I think if you give it a chance and go in with an open mind, you'll find yourself thinking about the film for long after.

4 (out of 5) Death Stars

Drinking Buddies (2013)

A movie about friends that work in a brewery and spend a lot of time drinking beer?  My kind of people!

Drinking Buddies is actually little more than that.  Luke (Jake Johnson) and Kate (Olivia Wilde) are co-workers and good friends at a micro-brewery.  They spend much of their time flirting and seem like  they'd be a great fit for each other, but both are in relationships.  Luke is in a long term relationship with Jill (Anna Kendrick), while Kate just started seeing Chris (Ron Livingston).  Luke and Jill have a good relationship, but Jill is starting to press Jake about marriage.  Kate and Chris are still in the hooking up stage and he doesn't even seem that into her.  Part of me had to suspend my belief a little bit that a knockout like Kate would have a lack of dating options and that someone like Chris would only be lukewarm towards her.  A hot chick that loves to hang out, drink beer, and works for a brewery?  Where do I sign up?  Is there a wait list?

The couples take a trip together, and without spoiling too much, something happens that you think will chain a particular series of events, but it doesn't play out that way.  Part of me applauds Drinking Buddies for not taking the predictable, obvious rom-com route, while the other part is frustrated that nothing happens.  One of the reasons why it's so frustrating is that Luke and Kate have such great chemistry together.  The "will they or won't they" question hangs over the whole film.

Drinking Buddies features a lot of what bugs me about mumblecore films: nothing really happens, it just kind of meanders without any plot, and there's no third act.  However, the open-endedness and ambiguity of Drinking Buddies worked for me.  In life, we don't always know what's going to happen next.  The situations dealt with are very real and easy to identify with.  While characters argue and get emotional, it's not melodramatic.  In fact, there's a very understated scene where Luke and Kate make up after an argument that I found very sweet.   I felt like a fly on the wall at times.  You're likely to watch Drinking Buddies and see a lot of familiar things from your own experiences.  It also doesn't hurt that these are people I could see myself hanging out with.  They aren't too quirky or caricatures, but just normal folks.

The strength are the performances of Jake Johnson and Olivia Wilde, and the chemistry between them.  Jake Johnson is a favorite of mine from New Girl, so he gave me pretty much what I expected from him, but I was really impressed with Wilde's performance.  I've been kind of hard on her in the past, as I think she's taken roles that haven't given her much to do, but this is the first time I've seen her do something that made me really take notice of her.  She's funny, sympathetic and vulnerable.  This is easily my favorite thing she's been in.  Anna Kendrick is cute as she always is, and Ron Livingston had that same demeanor he has in Office Space after he got hypnotized.

Like many mumblecore films, it's largely unscripted, allowing the actors to improvise their dialog and get into their characters.  Director Joe Swanberg apparently just gave them an outline of major points that needed to happen in each scene and then let them go for it.  It really worked, as the dialog felt very natural and intimate.  People actually communicate and say what they want to say, something that usually bugs the hell out of me in traditional dramedies or rom-coms.  It's a credit to the cast that they were able to make it work so well.  While there really aren't any jokes in the film, there's a lot dialog and observations you're likely to get a laugh out of.  Plus, anytime Jason Sudeikis made an appearance, he got me to laugh.  That guy has my number so far.

On a side note, it's kind of weird that I happened to see Drinking Buddies about an hour after seeing You're Next, which also features Joe Swanberg and Ti West.  Swanberg has a cameo here as well.  Another weird observation is that Jake Johnson is totally clean shaven in the poster above, but sports a pretty scruffy beard in the film.  Never underestimate the power of the beard!

Drinking Buddies is a peek into the relationships of a few friends as they navigate their way through life.  Its open-endedness may disappoint those looking for a traditional rom-com, but the natural dialog, as well as the realistic and funny feel make it worth the watch.  Lastly, it's highlighted by two really strong performances from Jake Johnson and Olivia Wilde.  It's available On-Demand now and worth checking out.

3.5 out of 5 Death Stars

The Incredible Burt Wonderstone (2013) - Movie Review

Is it too late for Steve Carell to go back to The Office for the series finale?

It's not that The Incredible Burt Wonderstone is a career killer, but it's the kind of film where even on paper it wasn't very strong idea with a really small margin for error.  If you don't knock it out of the park, then you're going to have really mediocre film on your hands.

We meet Burt as a small, bullied kid.  You immediately feel for him when he gets beaten up in front of his own house on his birthday.  His mother, whom we never meet (which seemed like a missed opportunity for a good, gag-casting), gives him a magician's starter kit featuring an old school magician, Rance Holloway (Alan Arkin). This part of the film I thought was amusing as there were a few subtle 80's references that made me laugh.  Burt dives headfirst into learning magic, but it hasn't made him any more popular at school.  He befriends another outcast kid, Anton, and they decide to become a magic team.  As far as the story goes, this as actually the strongest part, as kids were pretty sympathetic and you understand why they became friends.

We fast forward several years, and Burt (Carell) and Anton (Steve Buscemi) have become a successful Vegas magic show act.  Things are going well for a while, and they are making millions.  You see their cheesy, tired antics and it's kind of funny.  Performing magic is evolving though, and people aren't turning out for their shows anymore.  This is mainly due to the popularity of street magician Steve Gray "The Brain Rapist" (Jim Carrey).

I guess the good news is there are some silly laughs from time to time.  Unfortunately, the laughs are more of the polite chuckle variety, with no real gut-busting moments.  It's a shame, too, as there are many times you're watching Burt Wonderstone and wonder why it's so tame or how much funnier it would have been if they had taken a few of the bits in a different direction.  Nothing every really hits, so we're left with something that's mildly amusing, but a huge missed opportunity considering the cast.  It's also very forgettable.  One of the characteristics of any good comedy is quotability, and I can't recall a single line or gag that has that kind of impact.  I realize that it sometimes takes multiple viewings for something to really stick, but I don't think this is the kind of comedy that you're going to want to watch over and over.

I guess I'm a little disappointed considering the writing team of Jonathan Goldstein and John Francis Daley are two-thirds of the team that wrote Horrible Bosses (maybe they really needed that last 1/3rd), and director Don Scardino has directed many episodes of 30 Rock.  You'd think the comedy would be the strongest point of the film.  I think one of the issues is that they went with a PG-13 rating, when a movie like this really needs to be R.  It's not that a PG or PG-13 movie can't be funny, but it can really limit the humor.

Even the story itself is pretty cliched for the kind of comedy it was.  You have the stubborn, out-of-touch star, unable to adapt and loses everything.  Then, the young upstart takes his place.  Finally, the star goes back to his roots, regains humility and comes back stronger with an updated approach.  You could have swapped out magic for any sport and it would have been the same movie.

I'm a big Steve Carell fan, but I thought his performance was all over the place.  I think you can attribute a lot of that to how his character was written and directed, but it don't think he was the best fit.  It was almost like he seemed uncomfortable at times, or maybe that's just how the performance made me feel.  The supporting cast I enjoyed more, Olivia Wilde and Jim Carrey in particular.  I've been on hard on Wilde in the past, but I think she worked really well playing it straight off Carell and I'd like to see her take on more roles like this.  I know Jim Carrey isn't everyone's cup of tea these days, but I though he was another smart casting and his style really suited his character (I also think he looks really good in the upcoming Kick-Ass sequel). Alan Arkin was good as well, and he's one person I wish had been in it a little more.  There are a few small cameos and smaller roles from comedic actors that you may get a kick out of, but it's not enough to get this over the hump.  I realized I haven't said anything about Steve Buscemi, but it's because he's actually not in it all that much.  It really focuses more on Burt Wonderstone, and the problem is that he's really just not that great of a character.

The Incredible Burt Wonderstone is a dull comedy that just never really hits a good stride and plays it way too safe.  Even the great cast couldn't elevate this, and we're left with a very mediocre and forgettable movie.  It's a rental.  Perhaps we get an unrated version on DVD, so I'd say to hold out for that.

2 (out of 5) Death Stars

Deadfall (2012) - Movie Review

A getaway after a robbery goes wrong.  Oh but wait, there's snow!

After a casino heist, siblings Addison (Eric Bana) and Liza (Olivia Wilde) get into an accident while making their getaway.  Even though they are in the middle of a snowstorm, they decide to split up (always a good idea) and reconnect later.  I've always wondered, why split up, if the goal is to meet up later?  Aren't you increasing the chances that one of you is caught or that something will go wrong?  Anyway, as this is going on, ex-con Jay (Charlie Hunnam) is headed home, but also runs into difficulty along the way.  Paths cross in the movie Deadfall, which could have been renamed Amazing Coincidences.

Yes, amazing coincidences are key in this movie directed by Stephan Ruzowitzky.  This wouldn't have been so bad, if Zack Dean's script wasn't also so cliched and predictable.  It's disappointing because it actually had an interesting beginning, and there are moments here and there where you think it might do something different, but there weren't any twists or surprises.  As a result, there is no suspense at all.  The mistakes made by the characters are so obvious or telegraphed that I had a hard time believing they were capable of robbing a casino in the first place. As the movie opens, Liza is counting a pile of money in the back seat of a car.  They all thought this was a good idea?  To have money out in the open of your getaway car.  Then both the driver and Addison turn around to talk to Liza in the middle of a snow storm, and you can't help but think someone should be keeping there eyes on the road.  WHAM!  A deer hits the windshield and the car flips.  Stuff like this continues throughout the film.

Even the supporting characters had my rolling my eyes.  We're introduced to the local sheriff (Treat Williams), and he was a bad, sexist stereotype.  He refuses to give a female officer an assignment, and you think it's because he's trying to keep her down, but then you find out she's his daughter (Kate Mara).  So then you might think he's being protective, right?  Nope, he continues to berate her throughout the film for being a screw-up (despite her passing an FBI entrance exam), and you get the feeling the real issue is that he wishes he had son instead of a daughter.  It's an awful character that I have a hard time understanding why he was written this way, since it wasn't essential at all to the plot.  Oh, and the kicker is that he ends up shooting his daughter on accident.  Idiot.

It's really not even an issue with the performances, as we're working with a good cast, but it's more how the characters were written.  Addison is initially portrayed as a criminal that appears to have a code, but then his character takes a turn at the end that makes him completely unlikable.  Plus, they appeared to throw in some implied incest angle between the two of them that wasn't fully explored, but just added to the creep factor.  I really like Eric Bana, and I think he tried to do the best with what he was given.  I also liked Olivia Wilde for a change.  Normally she seems to get these smaller roles where she's wasted, but I actually thought she got a chance to act a little and show some charisma that I'm not used to seeing from her.  I didn't mind Charlie Hunnam's performance either, but I found his voice kind of distracting.  I thought it might have been because he was doing an American accent, so I looked it up and sure enough, he's from the UK.

The two people I thought were wasted here were Sissy Spacek and Kris Kristofferson as Jay's parents.  I wished the movie had focused on them and their relationship with Jay more.  They try to setup a overly complex relationship between them, but it all just kind of gets glossed over in favor of the main story.  Jay, a former boxer, was trained by his father, who's also a retired sheriff. They had a falling out after Jay blamed him for only getting the silver medal in the Beijing Olympics. Also, it's never really clear why Jay was in prison.  Something about him throwing a fight, but I'm not sure why he was in prison for that.  Do you see what I mean here about it being needlessly complex?

Speaking of unnecessary, the movie features two sex scenes between the same characters only about five minutes apart.  The first one does something that's kind of a pet peeve of mine in that you have two attractive, fit people having sex with their clothes on.  When you consider that Jay just got out of jail and this is the first action he's gotten in a while, you'd think he would've been tearing clothes off to see a woman naked.  The movie seemed to recognize this mistake, too, as in the second sex scene, they are both nude.  So, why not just edit out the first scene then?  It just kind of struck me as odd.  I'm sure they figured it was a tough sell to convince us these two connected emotionally in just 24 hours, so they just show them having sex again, because sex means they are in love.

Deadfall is a tepid thriller full of cliched characters and a telegraphed ending that provides no impact or satisfaction.  It's a nice looking film and the performances are fine, but the story is all over the place.  This one has 'wait for cable' written all over it.

2 (out of 5) Death Stars

The Words (2012) - Movie Review

We begin with the reading of a book, The Words, by successful author Clay Hammond (Dennis Quaid).  The book is the story of another author, Rory Jansen (Bradley Cooper), who lives in New York with his girlfriend, Dora (Zoe Saldana).  Rory is an author struggling to get published, and is forced to get a day job when his father (J.K. Simmons) says he can't support him anymore and hints that maybe it's time to move on.

While on their honeymoon, the couple finds an old leather bag that contains an old manuscript. Rory reads it and realizes that it's better than anything he's ever written.  He types it, word for word, into his computer just for the experience of having the book go through his hands.  Dora finds the re-typed manuscript and is moved by it.  She encourages him to get it published, and Rory can't bring himself to tell her that he didn't write it.

The book is a hit and things are looking up for Rory, but things get complicated when the book's original author, simply billed as "The Old Man" (Jeremy Irons), tracks Rory down and tells him his story.  We are transported to World War II France and get a mini period piece detailing how The Old Man wrote and then lost his book.  I felt this was the strength of the movie, simply for Jeremy Irons performance.  He just provided narration, but he's so good in that 'I could listen to him read the phone book' way.  It's worth watching The Words just for Jeremy Irons.

Most of the performances in The Words are strong.  I thought Bradley Cooper was great.  To think a few years ago I thought he was going to be a flash in the pan.  Cooper shows emotional depth that I don't think we've seen out of him up until now.  Zoe Saldana was good as well, but she wasn't given much to do and the story wasn't about her.  I also really enjoyed Ben Barnes and Nora Arnezender as the young couple from The Old Man's story.  He doesn't get enough screen time, but it's always great to see J.K. Simmons in anything.

You'd think that things would get really interesting once the two authors meet, but the problem is that The Old Man doesn't want anything from Rory.  As a result, the movie fizzles out and you never really get to see how this affects Rory.  There are some consequences, but Rory is never publicly outed and they don't spend very much time at all showing Rory deal with the guilt of what's he's done.

What should have been the emotional climax of the film ended up switching back to catch up with Clay, who's flirting with an apparent literary groupie played by Olivia Wilde.  She's very interested in the story, so you think there might be something deeper to her character, but there isn't.  I like Olivia Wilde, but once again she plays a role that felt thrown in just to have another pretty face in the movie.  I'm sure the script appealed to her, as her surname was taken from author Oscar Wilde.  There was some very odd and awkward interaction between Quaid and Wilde as he uncomfortably tried to flirt with her.  Have you ever had a friend that didn't quite know how to talk to women and tries way too hard, so it comes off as a little creepy?  It was like that.

With all this story within a story within a story, I felt like I was watching a literary version of Inception.  It's never truly clear if Clay is actually Rory or just telling a story.  They leave that up to you to decide, but it kind of felt like the movie was trying really hard to be clever.  The movie ends very abruptly and you're left wondering what the point was.  I'd like to ask co-writers and directors Brian Klugman and Lee Sternthal what they were really trying to say here.

I'd love to write more about this movie, but I can't find...The Words.  Ha ha ha!  Do you see what I did with that totally hilarious joke that I in no way had any assistance with?

The Words is a very well acted and good looking film, but the story is overly complex and ultimately something that won't stick with you.  I do think it's worth watching for the performances, especially Jeremy Irons, but this is better suited for a rental.

2.5 (out of 5) Death Stars

People Like Us (2012) - Movie Review

It's interesting how a movie titled People Like Us, doesn't actually have people like anyone I know in it.  But People Like Them or People Like Who? don't really work, do they?

Chris Pine stars Sam, a salesman that finds himself in trouble both financially and legally, as he gets news that his estranged father has passed away.  With his girlfriend (Olivia Wilde) in tow, he heads home.  He's so against going home that he (unsuccessfully) attempts to sabotage his travel plans.  This causes him to be late to the funeral, which upsets his mother, Lillian, greatly.

After the funeral, his father's lawyer hands him a bag with $150,000 and a note that asks him to give it to a boy named Josh.  Sam is torn, because the money would really help him and debates keeping it.  He does track down the boy and his mother, Frankie (Elizabeth Banks).  It doesn't take long before Sam realizes that Frankie is his half sister and she has no idea who Sam really is.

Frankie has her own problems as a recovering alcoholic.  Since she works all hours of the day as a bartender, she has very little control over Josh, who's always a step away from being expelled. Sam quickly bonds with Josh, but Frankie takes a little more time warming to him as she's unclear on his intentions.

The strength of People Like Us is all in the performances.  This is the best dramatic work I've seen out of either Chris Pine or Elizabeth Banks, and I thought Banks, in particular, really stood out.  She's both vulnerable and feisty.  I've always felt her strength has been in her comedic roles, so it was nice to see a different side of her.

Michael Hall D'Addario is also very good as Josh, but is desperate need of a haircut.  These messy, boy haircuts are a trend I hope fades out soon.  I also enjoyed Michelle Pfeiffer as Sam's mom.  Is it just me, or is she still sexy as hell?  Mark Duplass, who's in everything lately, has a small role here as well.

Much like last year's Roadie, People Like Us features a nice sampling of older, lesser known music.  As Sam's father was a musician and music producer, it works in the context of the film.

This is the directorial debut of writer Alex Kurtzman, who's joined once again by co-writer Roberto Orci.  These are the guys have have written movies like Star Trek, Transformers and Mission: Impossible III, so People Like Us is a totally different direction for them.  The movie states that it's based on real events and apparently Kurtzman drew from some of his own life experiences.  I hope his real experience didn't play out like this movie did.  The characters are well written though, and you at least understand their motivation and what they are going through.

The main problem with the movie is that is does run on a little too long at almost two hours, and is paced a little too slowly.  There's a subplot revolving around Lillian's health that wasn't really necessary and felt tacked on to add even more drama.  Perhaps the biggest flaw of all is that it could have been a good 20 minutes shorter if Sam would have revealed who he was much sooner.  While I can understand not wanting to just come right out and tell Frankie up front, there's no reason to postpone telling her for as long as he did other than to string the movie, and us, along.  The delay in telling Frankie nearly leads to a "Luke and Leia" moment towards the end, and you see it coming from a mile away.  Yes, there's nothing like almost accidental incest in a family drama.

It does have a very sweet and sentimental ending that, once again, may have people reaching for the tissue.

People Like Us is a bit long and melodramatic, but it's saved by great performances from it's cast, especially Elizabeth Banks.  Its characters are interesting, sympathetic and you can't help but like them.  It also serves as a change of pace from all the Summer action films and comedies out there now.  However, I'd put this more in the rental category.

3 (out of 5) Death Stars